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Fwd: Transposing pitches in the lilypond file itself?


From: Paul Scott
Subject: Fwd: Transposing pitches in the lilypond file itself?
Date: Wed, 12 Jan 2022 08:21:36 -0700
User-agent: Mozilla/5.0 (X11; Linux x86_64; rv:91.0) Gecko/20100101 Thunderbird/91.4.1

Forgot to send this to the list.

Paul



-------- Forwarded Message --------
Subject: Re: Transposing pitches in the lilypond file itself?
Date: Wed, 12 Jan 2022 08:20:26 -0700
From: Paul Scott <waterhorse@ultrasw.com>
To: David Kastrup <dak@gnu.org>


Can you give examples of what you don't like about Emacs?  I've been happy with it for 20 years. I only use it for editing.

The only feature I have trouble with are what "---->" and "[" and "]" do with alignment.  I have a work-around for "--->"

I also use make and alt-tab.

Paul

On 1/12/22 07:02, David Kastrup wrote:
Alasdair McAndrew <amca01@gmail.com> writes:

Thanks, Guy.


I use the Linux Emacs editor (which has a lilypond mode), and there
might be something there, but I was just after a little advice - I
have used Frescobaldi, but for me Emacs is faster and more efficient.
Emacs' LilyPond-mode is an abomination in desperate need of maintenance
or possibly rewriting from scratch. There is no reason to use it unless
you are one of those people who use Emacs for everything (in contrast,
the mail/news client I am writing this in would be a reason to switch to
Emacs rather than vice versa. As are the LaTeX modes). However, it
probably has the only useable MIDI pitch recognition for polyphonic
entry like those of accordions.

If I needed to batch-convert some input regarding relative/absolute or
transpose, I'd likely start up Frescobaldi. Never mind that it isn't
the one editor to bring them all and in the darkness bind them.


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