|
From: | Michael Käppler |
Subject: | Re: dynamics: sf vs sfz |
Date: | Thu, 6 Jan 2022 22:13:09 +0100 |
User-agent: | Mozilla/5.0 (Windows NT 10.0; Win64; x64; rv:91.0) Gecko/20100101 Thunderbird/91.4.1 |
Am 06.01.2022 um 18:09 schrieb Kenneth Wolcott:
Thank you for your elaboration on the dynamics; much appreciated. On Thu, Jan 6, 2022 at 6:11 AM Kieren MacMillan <kieren_macmillan@sympatico.ca> wrote:Hi all, As composer, pianist, and conductor, I can offer that the consensus among most of the musicians I know is that sfz is [in modern practice] considered different from sf, especially with respect to the envelope of the note: in "equation" terms, one might write sfz = sf + >. An analogous difference distinguishes fz as different from both sf and sfz. In performance of more "historical" music (say, Beethoven and before), these distinctions are not as widely or faithfully observed.
For an excellent overview regarding dynamic specifications (and many other topics that are connected to performance indications) in the 19th century, see Clive Brown: Classical and Romantic Performing Practice 1750-1900 . This book is marvellous!
Cheers, Kieren. ________________________________ Kieren MacMillan, composer (he/him/his) ‣ website: www.kierenmacmillan.info ‣ email: kieren@kierenmacmillan.info
[Prev in Thread] | Current Thread | [Next in Thread] |