Pierre, Measure 39 of the Ab Nocturne, Op 32 No. 2, changes key to A major. The figure in question is in measure 40. That is what I presented. Mar From: Pierre Perol-Schneider [mailto:address@hidden] Sent: Thursday, February 20, 2020 6:51 AM To: Mark Stephen Mrotek <address@hidden> Cc: Knute Snortum <address@hidden>; lilypond-user <address@hidden> Subject: Re: Merging note heads with different pitches. Bug? I was not thinking about the aes maj. part. Le jeu. 20 févr. 2020 à 15:43, Mark Stephen Mrotek <address@hidden> a écrit : Pierre, The Paderewski/Bronarski/Turczynski Edition has two voices – and a grace! Mark From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=address@hidden] On Behalf Of Pierre Perol-Schneider Sent: Thursday, February 20, 2020 4:07 AM To: Knute Snortum <address@hidden> Cc: lilypond-user <address@hidden> Subject: Re: Merging note heads with different pitches. Bug? I did not notice that it was from Chopin. %%% Start %%% \version "2.19.84" \language "english"
\relative c' { \key a \major \time 3/8 <fs gs>8 < \tweak X-offset #3 \tweak Accidental.X-extent #'(1 . 0) \tweak Accidental.extra-offset #'(3.3 . 0) fs! \tweak X-offset #0 fss > <fs gs> } Much more readable, for me at least. Sorry if this is a little OT... Le mer. 19 févr. 2020 à 20:01, Knute Snortum <address@hidden> a écrit : Consider this snippet:
%%% Start %%% \version "2.19.84" \language "english"
\relative { \key fs \minor \time 3/8 << { gs'8 fss gs } \\ { fs fs fs } >> } %%% End %%%
Why does the fss note head get merged with the fs? Is this a bug? If not, how do I stop it from happening?
--- Knute Snortum (via Gmail)
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