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From: | Lukas-Fabian Moser |
Subject: | Re: Choral scores conventions question |
Date: | Fri, 23 Aug 2019 11:33:40 +0200 |
User-agent: | Mozilla/5.0 (X11; Linux x86_64; rv:60.0) Gecko/20100101 Thunderbird/60.8.0 |
Hi Jacques,
I’ve created this score from a psalms book, both attached, with explicit, sometimes artificial, time signatures and rests for the time being. What is the usual way to setup such a choral, in terms of compound time signatures, partials, measure 13 spanning over a line break, minimizing the number of rests such as measure 4, the display of rests at measure 8, and the like?
I would always recommend to keep everything as close as possible to the actual style of writing employed by composers like Schein. The original 1627 printing looks as follows:
https://imgur.com/a/wZMsAq3 https://imgur.com/a/pcCDMoVOf course, today we would prefer using an actual score in 2 or 4 staves, but I'd strongly argue against pretending there is an actual alternating metre, actual measures and so on.
I didn't typeset exactly this tune, but here is an example from Osiander's collection that I engraved some time ago:
https://imgur.com/a/SKoDwJB Best Lukas
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