Re: highlight music / fingering

[Urs Liska]

Am 15. November 2016 09:57:29 MEZ, schrieb Gianmaria Lari <address@hidden>:
>In the score there are both versions. The score "audience" are
>children; I
>would like that they pay attention to the fact the music is similar but
>not
>identical.

Still not completely sure what you mean. These alternatives are occurring at 
different places in the piece, so "second time it's different"?

If so the "natural" way would be colours. But if you print and xerox stuff that 
is probably not an option.

I don't think there's a standard procedure. But I would experiment with boxing 
them, making the bold or use \balloonText (if I remember that name correctly).

HTH
Urs

>
>Have a look to the attached files (fragments from Greensleves for
>accordion) and the source code. In the first fragment the bass music is
>something like this:
>
>  c4 \chordmode {f, f,}
>  e \chordmode {e, e,}
>  \partial 2 b \chordmode {e,}
>
>and this is in the second
>
>  c4 \chordmode {f, f,}
>  e \chordmode {e:7, e:7,}
>  b chordmode {e:7, e:7,}
>
>g.
>
>
>
>On 15 November 2016 at 09:32, Urs Liska <address@hidden> wrote:
>
>> Am 15.11.2016 um 09:24 schrieb Gianmaria Lari:
>> > Hello,
>> >
>> > I need an advice. Suppose you have two very similar fragments of
>musica,
>> > maybe very few notes change or maybe just the fingering changes.
>> >
>> > How do you highlight the differences to avoid the player makes
>mistakes
>> > playing it? Does exist a standard way to do it?
>> >
>>
>> Do you want to have both versions in *one* score or are you talking
>> about creating a score that has some differences to what the player
>> would expect and want to highlight these spots?
>>
>> Urs
>>
>> > Thank you, g.
>> >
>> >
>> > _______________________________________________
>> > lilypond-user mailing list
>> > address@hidden
>> > https://lists.gnu.org/mailman/listinfo/lilypond-user
>> >
>>
>>
>> --
>> Urs Liska
>> www.openlilylib.org
>>
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