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Re: What is the problem with "\relative"? (Was: Do we really offer the f


From: Keith OHara
Subject: Re: What is the problem with "\relative"? (Was: Do we really offer the future?)
Date: Tue, 5 May 2015 02:57:52 +0000 (UTC)
User-agent: Loom/3.14 (http://gmane.org/)

Federico Bruni <fedelogy <at> gmail.com> writes:

> 2015-04-23 9:21 GMT+02:00 Martin Tarenskeen <m.tarenskeen <at> zonnet.nl>:
> 
> I often use LilyPond to quickly enter a very simple tune or small 
pianosheet needing just a simple texteditor (Vim). I use \relative all the 
time. c g c e g is soo much faster and easier than c''' g'' c''' e''' g''' 
g'''.
> And personally I find lilypond code in \relative mode easier to read.
> I agree that for complex scores with much music in variables \relative mode 
can have annoying side-effects.
> 
> I agree: relative mode is much easier to enter.

What if we compare relative mode to absolute mode with repeated 's removed?

Is  
  \relative c''' { c g c e g }
easier than
  \transpose c c''' { c g, c e g}
?

I find it easier to remember that a note is below the middle octave in 
the range of an instrument, than to remember whether the previous note was
more than three scale-steps away.

We can easily define a shorter way to express the transposition by octaves
  \absolute c''' { c g, c e g }
and it is not too hard to change the 460 examples in the manual that have
an implicit \relative c' {} or relative c'' {} to copy/paste-able music.




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