|
From: | Urs Liska |
Subject: | Re: Best practice with inconsistent "à 2" |
Date: | Thu, 07 Aug 2014 16:03:29 +0200 |
User-agent: | Mozilla/5.0 (X11; Linux i686; rv:24.0) Gecko/20100101 Thunderbird/24.6.0 |
Am 07.08.2014 15:10, schrieb Werner LEMBERG:
I have a large romantic score in front of me. In the handwritten score the \partcombine stuff is done inconsistently for unisono sections: sometimes it's written as one voice with "à 2", sometimes as two voices, i.e. one notehead with stems up and down. So far I can't see any reason for this inconsistency. What would people with more experience with orchestral scores suggest: - transcribe everything as it is in the model? - make it consistent: - use "à 2" always? - use voices always?Assuming that this becomes a critical edition,
For now we're only preparing performance material of a piece where only the full score has survived. But in the back of my mind I keep the idea of making it a critical edition once ...
I suggest that you use "à 2" consistently and note deviations of that in the editorial marks section. The score is then simply less crowded.
That's exactly what I thought. But I'll check Alex' suggestion first. That sounds at least very plausible.
Best Urs
Werner _______________________________________________ lilypond-user mailing list address@hidden https://lists.gnu.org/mailman/listinfo/lilypond-user
[Prev in Thread] | Current Thread | [Next in Thread] |