Re: Best practice with inconsistent "à 2"

[Alex Loomis]

In my copy of Dvorak 8 the parts use a2 for isolated unison passages and double 
stems for passages where the voices are also split at some point.



On Aug 7, 2014, at 8:49 AM, Urs Liska <address@hidden> wrote:

> Hi folks,
> 
> I have a large romantic score in front of me. In the handwritten score the 
> \partcombine stuff is done inconsistently for unisono sections: sometimes 
> it's written as one voice with "à 2", sometimes as two voices, i.e. one 
> notehead with stems up and down. So far I can't see any reason for this 
> inconsistency.
> 
> What would people with more experience with orchestral scores suggest:
> 
> - transcribe everything as it is in the model?
> - make it consistent:
>  - use "à 2" always?
>  - use voices always?
> 
> Best
> Urs
> 
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