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From: | Carl Sorensen |
Subject: | Re: Lyrics in polyphony with ties in second voice |
Date: | Tue, 1 Oct 2019 01:06:51 +0000 |
User-agent: | Microsoft-MacOutlook/10.10.d.190811 |
From:
Flaming Hakama by Elaine <address@hidden>
I know that this is not what you asked for, because you want the harmony stems to go up. But this is the way I set it; I think it’s clearer, because it points out the fact that the tied notes need to be handled differently from the melody notes. \version "2.19.80" words = \lyricmode { One, two and three four } melody = \relative c'' { \time 3/4 g2.^"Use partcombine and NullVoice" | g8 a f2 ~ | 2. | e2. \bar "|." } harmony = \relative c'{ \time 3/4 s2. | <d b>2. ~ | 2. } combined = \partcombine \melody \harmony \book { \header { title = "Use partcombine and NullVoice" } \score { << \new Staff = "upper" \with { printPartCombineTexts = ##f }<< \new Voice = "lead" { \combined } \new NullVoice = "synch" { \melody } >> \new Lyrics \with { alignAboveContext = "staff" } { \lyricsto "synch" { \words } } >> \layout { } } } Carl |
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