\version "2.18.0"
\include "english.ly"
%shorthand identifiers
\include "ident.ly"

%include in each top-staff inside <<>> with musical content
global= {
	\key b \major \time 4/4
		\overrideTimeSignatureSettings
		4/4        % timeSignatureFraction
		1/4        % baseMomentFraction
#'(1 1 1 1)    % beatStructure
#'()       % beamExceptions

		%end global block
}

%music contents organized as identifiers
%rehearsal marks for all parts and print only once at top of full score

%SATB chorus
sopMusic = \relative c'' {


	\tempo 4 = 190
		gs8 gs gs gs gs4 gs8 gs~ | gs gs gs4 fs8( e) gs as~ | as gs gs gs gs4 fs8 gs~ | gs2. r4 |
		R1*4 gs8 gs gs as4 gs gs8 | cs4 cs as8 gs gs as~ | as gs gs4 gs8 gs4 gs8 | 
		as4 gs8 fs4 e gs8 | gs4 gs8 as4 gs8 gs4 | %satisfied
		fs8 gs gs4 gs8 gs4 gs8 | r gs gs4 gs8 gs gs gs | r4 as8 as r2 | gs8 gs  gs as4-> gs8 gs gs | as-> as as-> as r2 | %m19
		gs1 \melisma | as4 gs2. | gs1 | \repeat volta 2 { gs2. r4 | gs1 | as4 gs2. | gs1 \melismaEnd } | r4 as as as | \key df \major
		bf8 bf4 bf8 bf4 bf8 bf~ | bf bf bf bf4 bf8 bf8 bf | bf2 r | bf1 \melisma | bf | bf | %m33
		bf2 \melismaEnd r4 bf8 bf~ | bf bf bf bf4 bf bf8~ | bf bf4. r4 c4 | ef4. df8 df4 c4 | %m37 happy
		bf8-! bf df2. \melisma | c1 | c | c8 <df af> <df af>2. | <e g,>2 \melismaEnd r4 c4 | \key c \major
		e8 e e e c4 b8 c~ | c c4 <d b>8 <e a,>4 <e a,> | e4 d8 c d4 g,8 c~ | c f, f <c' f,>4 <c f,>8 <a f>4 | %or far
		<c e,>8 <c e,>4 <a e> <g e> <g e>8 | <e g> <e g> <d g>2 <g e'>4 | %m48 all beings 2

		<<
		{
			e'4( d8) 
		}
	{
		f,4. 
	}
	>>
		<g c>8 <g c>4 <g b> | <g c>8 <g c>4. r4 <g b>4 \melisma | <g c>1 | <g b> | <g b> | <g a> \melismaEnd | 
		\repeat volta 3 { 
			r2 <g c> \melisma | <g c>2 <g b>2 | 
		}
	\alternative {
		{
			<g b>1 | <g b> 
		}
		{
			<g b>1 | <g b> 
		}
		{
			<g c> <g c>
		}

	}
	<g c>4 \melismaEnd r <g c>2 |%m63
		\tuplet 3/2 1 { <g e'>2 <g e'> <g e'> | <a ds> <a ds><a ds> | <as d?><as d><as d>( |
				<g d'>) <g c> <g c> | <a f'> <a e'> <g c> | a g a4 a | <a d>2 <a d> <g d'> | <g cs>4 <g cs> <g cs>2 <g c> 
		} %end tuplets
	| <g d'> <f b> | <g c>1 \melisma | <g c>  | <g b> | <f b> | <a c> | <g c> | <g b> |<g b> | <g c>2 \melismaEnd r4 c,8 ef |%mother
		f f f gf4 gf8 gf af~ | \key df \major af af af4 c8 df( c) af |
		af4 gf8 gf ef'4. df8 | df4 c8 c bf4 gf8 af | f4. f r4 | 
		r2 c'8 c bf4 | gf8 af4 f f f8 | af4 r f f | r4. bf8 bf4 bf | df4 df df c | \repeat volta 3 {
			<af df>1 \melisma | <af df> | <bf df> | <af c> |
		}
	<f af> | <gf af> |af | af \melismaEnd |%m99
		df8 c af df( af) c4. | gf8 f df f4 gf8 af4 | af4 af8 bf4 c8 df4 | af8 af af4 df c8 bf~ | bf bf bf bf4 bf8 bf df~ | df c c4. af4. | gf f4 f4. |
		f1 \melisma | f | f | gf| af | <af c> | <af c> | <af df> | af2~ af8 \melismaEnd af4. \melisma | 
		a2 c \melismaEnd | r8 c c c c4 c8 b~ | \key g \major b4 b8 b d b b4 | r8 c <c e>4 <c e> <c e> | r8 d <a e'>4 <a e'>8 <a e'>4 <a e'>8 | %m122
		r8 b d b d2 | <a d>4 c8 b( a4) r4 |
		g4 \melisma fs2. | fs1 | g | a \melismaEnd | %m126
		r4 a g fs8 fs | fs4 fs8 fs4 g4. | a8 b c4 b8 b4 c8 | <b d>4 <b d> <b d>8 <b d> <b d>4 | <b d> <b d>2. | 

		\bar "|."
}
sopWords = \lyricmode {
	This is to be done by one who is skilled in good- ness on the path to peace:
		Let them be a- ble and up- right, ea- sy to talk to, gen- tle, hum- ble, 
		un- con- ceit- ed, 

		Con- tent and ea- si- ly sa- tis- fied, un- bur- dened with rich- es and liv- ing light- ly. 
			Peace- ful and wise, mod- est and un- de- mand- ing. Oh --

			Oh Let them not do the slight- est thing that the wise would crit- i- cize. Oh --
			Wish- ing: In safe- ty and in bliss, may all be- ings be hap- py. 
			Oh --
			All liv- ing be- ings, weak or strong, great or might- y, me- di- um, short, or small, seen and un- seen, near or far, Those born and to be born, may all be- ings be hap- py. 
			Oh -- Oh --

			May no one bring down or de- spise an- oth- er. May no one by an- ger or a- ver- sion wish harm up- on an- oth- er.  
			Oh --

			As a moth- er pro- tects with her life her child, her on- ly child, So with all be- ings, let the heart be- come bound- less.
			let the heart be- come bound- less: a- bove, out- ward, un- trou- bled, free from ha- tred. 
			Oh --
			Stand- ing or walk- ing, seat- ed or ly- ing down, free from drow- si- ness, cul- ti- vate mind- ful- ness. This is called the sub- lime a- bid- ing here and now. 
			Oh -- /u/

			By let- ting go of views, liv- ing eth- i- cally, with wis- dom, free from sense de- si- res, 
		one goes be- yond life and death. Oh -- 
			Kā- me- su vi- ney- ya ge- dhaṃ
			na hi jā- tu gab- bha- sey- yaṃ pu- na- re- tī- ti



}

altoMusic = \relative c' {
	ds8 ds ds ds ds4 ds8 ds~ | ds ds ds4 fs8( e) ds cs~ | cs ds ds ds ds4 fs8 ds~ | ds2. r4 |
		R1*4 ds8 ds ds fs4 e e8 | fs4 fs fs8 e e fs~ | fs e e4 ds8 ds4 ds8 | fs4 e8 ds4 cs ds8 | ds4 ds8 cs4 ds8 ds4 | %satisfied
		ds8 ds ds4 ds8 ds4 ds8 | r ds ds4 ds8 ds ds ds | r4 ds8 ds r2 |  % m17
		ds8 ds ds8 cs4-> ds8 ds ds | cs-> cs cs8-> cs r2 | ds1 \melisma | cs4 ds2. | ds1 | ds2. r4 | ds1 | cs4 ds2. | ds1 \melismaEnd |
		r4 es es es | %df major
		\key df \major
		f8 f4 f8 f4 f8 f~ | f f f f4 f8 f8 f | f2 r2 | f1 \melisma | f | f |  %m33
		f2 \melismaEnd r4 f8 f~ | f8 f gf gf4 gf gf8~ | gf gf4. r4 af4 | af4. af8 f4 f4 | %happy (oh) all
		f8-! f gf2. \melisma | f1 | f | f | %m41
		g2 \melismaEnd r4 g4 | %c major
		\key c \major
		g8 g g g g4 g8 g~ | g a4 g8 g4 g | g4 g8 g g4 e8 e~ | e e e f4 f8 f4 | %m46 or far
		e8 e4 e d d8 | c8 c c2 e4 | d4. e8 e4 f | e8 e4. r4 f4 \melisma | 
		f1 | f | f | f \melismaEnd | r2 f2 \melisma | f1 | f1 | f | f | f | f | f | f4 \melismaEnd r f2 |%m63
		\tuplet 3/2 1 {
			e e e | f f f | f f f( | e) e e | f f e | e e e4 e | e2 e e | e4 e e2 e } |
			d2 d | e1 \melisma | e | d | d | e | e | d | d  | e2 \melismaEnd r4 c8 ef | %mother m76
			ef ef ef ef4 ef8 ef ef( | \key df \major df) df df4 df8 df4 df8 | c4 c8 c c4. c8 | f4 f8 f f4 f8 ef |
			df4. df r4 | r2 f8 f gf4 | ef8 f4 ef df f8 |af4 r df, df | r4. gf8 gf4 gf | af af af af | %repeat m91
			f1 \melisma | f gf | ef | df | df | df| c \melismaEnd |
			df8 ef f df( f) f4. | gf8 f df f4 f8 f4 | df8( ef) f gf4 af8 gf4 | f8 f f4 af f8 gf~ | gf gf gf gf4 gf8 gf gf~ | gf gf f4( ef8) ef4. | ef4. df4 df4. | %m106
			df1 \melisma | df | df| df | ef | f | f | f | %114
			f2~ f8 \melismaEnd ef4. \melisma | d2 gf \melismaEnd | r8 gf gf gf gf4 gf8 g~ | \key g \major
			g4 g8 g g g g4 | r8 g e4 e fs | r8 d e4 fs8 fs4 fs8 | r8 g g g fs2 | d4 d8 d4. r4 |%m122
			d4 \melisma d2. | c1 | b | d \melismaEnd | r4 c c c8 c | c4 c8 c4 b4. | d8 d d4 g8 g4 a8 | g4 g g8 g g4 | g4 g2. |


}
altoWords =\lyricmode {
	This is to be done by one who is skilled in good- ness on the path to peace:
		Let them be a- ble and up- right, ea- sy to talk to, gen- tle, hum- ble, 
		un- con- ceit- ed, 

		Con- tent and ea- si- ly sa- tis- fied, un- bur- dened with rich- es and liv- ing light- ly. 
			Peace- ful and wise, mod- est and un- de- mand- ing. Oh --

			Oh Let them not do the slight- est thing that the wise would crit- i- cize. Oh --
			Wish- ing: In safe- ty and in bliss, may all be- ings be hap- py. 
			Oh --
			All liv- ing be- ings, weak or strong, great or might- y, me- di- um, short, or small, seen and un- seen, near or far, Those born and to be born, may all be- ings be hap- py. 
			Oh -- Oh --


			May no one bring down or de- spise an- oth- er. May no one by an- ger or a- ver- sion wish harm up- on an- oth- er.  
			Oh --

			As a moth- er pro- tects with her life her child, her on- ly child, So with all be- ings, let the heart be- come bound- less.
			let the heart be- come bound- less: a- bove, out- ward, un- trou- bled, free from ha- tred. 
			Oh --

			Stand- ing or walk- ing, seat- ed or ly- ing down, free from drow- si- ness, cul- ti- vate mind- ful- ness. This is called the sub- lime a- bid- ing here and now. 

			Oh -- /u/

			By let- ting go of views, liv- ing eth- i- cally, with wis- dom, free from sense de- si- res, 
		one goes be- yond life and death. Oh -- 
			Kā- me- su vi- ney- ya ge- dhaṃ
			na hi jā- tu gab- bha- sey- yaṃ pu- na- re- tī- ti


}

tenorMusic = \relative c' {
	\clef "G_8"

		gs1 \melisma gs gs gs2 \melismaEnd r4 gs8 gs |
		gs4 gs8 gs4 gs8 ds fs | gs4 gs gs gs | as gs gs8 gs4 gs8 | as8 gs ds( fs) gs2~ | gs1
		gs4 gs gs8 gs gs fs~ | fs gs gs4 gs8 gs4 gs8 |%unconceited 
		gs4 gs8 gs4 gs r8 | gs4. \melisma fs4 gs4. | as8 gs8 gs2. | gs2 \melismaEnd r4 gs8 gs | r4 as8 as r2 | %m17
		gs8 gs gs8 ds4-> gs8 gs gs | ds4 r gs4 as | b8 b4 as8 gs as b4 | as gs8 as b4 as | % m21
		as4 as8 as4 as8 b cs | b16( cs b8) as4 gs as | b8 b4 as8 gs as b4 | as gs as8 b4 as8~ | as as as4 as8 b cs cs | %m26
		b16( cs b8) as4 r2 | \key df \major bf1 \melisma | bf2. \melismaEnd r4 | %m29
		bf8 c df4 df8( c4) bf8 | c4. df8 c4 c | df df4. c8 c4 | c4. c8 c4. bf8 | c df c4 bf2 | %m34
		r4 df2. \melisma | df1 | ef2 af,4 \melismaEnd r | bf8 c df4 df df | c8 c4 ef df4. | c4 f f c | c8 df4 df8 df ef df4 | c1 | \key c \major %m42
		c2 d4 d8 c~ | c e4 d8 c4 c | c4 c8 c c4 a8 a~ | a a a a4 a8 c4 | %or far m46
		a8 a4 d, g g8 | g g g2 g4 | g4. g8 g4 g | g8 g4. r4 g | %keci
		c4 c8 c4 b8 b4 | b8( c) b4 b8 c4 b8~ | b4 b c8 b4 b8~ |
		b a b c b4 a | %m55
		r4 a  c c | c b8 b4 c4 b8 | b4 c8 b4 b b8 | b4 b8 c b4 a | b4 c8 b4 b b8 | b4 b8 b c b4 a8 | %sabbe 2
		c4 f f c | c8 d4 d8 d e d4 | c1 | %m63
		r1 | c \melisma | gs | \tuplet 3/2 1 {
			g?1 \melismaEnd g2 | f f e | e e e4 e | e( f) g( a) as2  | 
				as4 as as2 as | } %m71 neparo
				b g4 a8 b | c4 c8 c( b) a b4 | c b4. b4 c8 | b4 a b8 b4 b8 | b b( c) b4. a4~ |
				a r4. a8 b4 | c c8 c( b) b b b | c4 b b c8 c~| c b4 b8 b4 b8 b( | %chey ya
						c8) b a2 r4 | af2 \melisma gf | \key df \major f1 | af | af \melismaEnd | %m85
				r2 c8 bf f f'~ | f f4 r8 f f gf4 | ef8 f4 ef df r8 | r4 c,8 ef4 r4. | %m89
				r8 gf8 gf4 r2 | af8( bf) c( df) ef4 ef | %repeat m91
				df4 df f8 ef4 df8 | ef4 f  ef4. ef8~ | ef ef ef4 ef ef8 ef~| ef ef ef f ef4 df |
				df df f8 ef4 df8 | ef8 ef f4 ef ef8 ef~ | ef f4 ef ef8 ef4 | ef4 ef8 f ef4 df~ |
				df r df df | r2 df4 df | %m101
				df8( ef) df8 df4 c8 bf4 | df8 df df4 af af8 af | gf1 \melisma | af | af4 \melismaEnd r2 c4 | %m106
				df4 df8 df4 c8 df4 | ef df4. c8 df4 | ef df df ef8 df~ | df df df df ef df4. | %m110
				c2 r4 c | ef ef8 ef( df) c df4 | ef df4. df4 ef8 | ef4 df c8 df4 df8~ | df df ef df4 df4. | c4( bf a2) |
				a1 \melisma | \key g \major b | g | fs | g | fs \melismaEnd |
				g4 a a8 a a g | g4 a8 a4 a8 g4 | g a8 a4 g8 g4 | g fs4. r | %m126
				r4 fs g a8 a | a( g) fs a4 g4. | fs8 g a4 g8 g4  a8 | a4 g g8 g g( a) | g4 g2. |


}
tenorWords = 
\new Lyrics = "firstVerse" \lyricsto "tenors" \lyricmode 
{
	Oh -- Kā- ra- ni- ya mat- tha ku- sa- le- na yaṃ taṃ saṃ taṃ pa- daṃ a- bhi- sa mec- ca:
		up- right, ea- sy to talk to, gen- tle, hum- ble, 
		un- con- ceit- ed, 

		Oh -- liv- ing light- ly.  Peace- ful and wise, mod- est and un-.
			Sa- ko u- ju ca su- hu- ju ca, su- va- co cas- sa mu- du an- a- ti- 

			<<
			{ mā- ni. 
				San- tus sa- ko ca su- bha- ro ca ap- pa- ki- co ca sa- la- hu- ka- -- }
	\new Lyrics = "secondVerse"
		\with { alignBelowContext = #"firstVerse" }
	{
		\set associatedVoice = "tenors"
			vu- ti, San- tin dri- yo ca ni- pa- ko ca ap- pa ghab- bho ku- le su a- na- nu 
	}
	>>
		gid- dho. Oh --

		Na- ca ku- daṃ sa- ma- ca- re kin- ci, ye- na viñ- ñu pa- re u- pa- va- dey- yuṃ. Oh --

		Su- khi- no vā khe- mi- no hon- tu sab- be sat tā bha- van- tu su- khi- tat- tā.
		Oh weak or strong, great or might- y, me- di- um, short, or small, seen and un- seen, near or far, Those born and to be born, may all be- ings be hap- py. 
		Ye ke- ci pā- na bhū- tat- thi ta- sā vā thā- va- rā vā  a- na- va- se- sā
		<<
		{
			Dī- ghā	vā ye ma- han- tā vā maj- jhi- mā ras- sa- kā- nu- ka- thū- lā
		}
	\new Lyrics = "secondVerse"
		\with {alignBelowContext = #"firstVerse" }
	{
		\set associatedVoice = "tenors"
			Dit- thā vā ye-	va ad- dit- thā 
	}

	\new Lyrics = "thirdVerse"
		\with {alignBelowContext = #"secondVerse" }
	{
		\set associatedVoice = "tenors"
			Bhū- tā vā sam-	bha- ve- sī vā
	}

	>>
		ye ca dū- re va- san- ti a- vi- dū- re 
		sab- be sat tā bha- van- tu su- khi- tat- tā.

		Oh --

		May no one by an- ger or a- ver- sion wish harm up- on an- oth- er.  

		Na pa- ro pa- raṃ ni- kub- be- tha	
		nā- ti-	mañ- ñe- tha kat- tha- ci naṃ kañ- ci
		by- ā- ro- sa- nā pa- ṭi-	gha- sañ- ñā
		nāñ- ña- mañ- ñas- sa duk- kha-	mic- chey- ya
		Oh -- Lo- ving the whole world, let the heart be- come bound- less. be- low, un- blocked, free from ha- tred.

		<<
		{
			Mā- tā ya- thā ni- yaṃ put- taṃ
				ā- yu- sā e- ka- put- ta- ma- nu- rak- khe
		}
	\new Lyrics {
		\new Lyrics = "secondVerse"
			\with {alignBelowContext = #"firstVerse" }

		\set associatedVoice = "tenors"
			E- vam-	pi sab-	ba- bhū- te- sū
			mā- na-	saṃ bhā- va- ye a- pa- ri- mā- ṇaṃ
	}
	\new Lyrics {
		\new Lyrics = "thirdVerse"
			\with {alignBelowContext = #"secondVerse" }
		\set associatedVoice = "tenors"

			Met- taṃ ca sab- ba- lo- kas- miṃ
			mā- na-	saṃ bhā- va- ye a- pa- ri- mā- ṇaṃ
	}
	>>

		Ud- dhaṃ a- dho ca ti- ri- yañ-	ca
		a- sam- bā- dhaṃ a- ve- raṃ a- sa- pat-	taṃ

		walk- ing, lie down, free from drow- si- ness, cul- ti- vate mind- ful- ness. Oh --

		Tiṭ- ṭhaṃ  ca- raṃ  ni-	sin- no	vā	
		sa- yā-	no  vā yā- va- tas- sa vi- ga- ta- mid- dho
		E- taṃ sa- tiṃ  a- dhiṭ- ṭhey- ya
		brah- ma- me- taṃ vi- hā- raṃ i- dha- mā- hu
		/u/ /a/

		Diṭ- ṭhiñ- ca a- nu- pa- gam- ma sī- la- vā
		das- sa- ne- na sam- pan- no
		Kā- me- su vi- ney- ya ge- dhaṃ
		na hi jā- tu gab- bha- sey- yaṃ pu- na- re- tī- ti
}

bassMusic = \relative c {
	\clef bass 

		gs1 \melisma gs gs gs2 \melismaEnd r4 gs8 gs |
		gs4 gs8 gs4 gs8 ds fs | gs4 gs gs gs | as gs gs8 gs4 gs8 | as8 gs ds( fs) gs2~ | gs1
		gs4 gs gs8 gs gs fs~ | fs gs gs4 gs8 gs4 gs8 |%unconceited 
		gs4 gs8 gs4 gs r8 | gs4. \melisma fs4 gs4. | as8 gs8 gs2. | gs2 \melismaEnd r4 gs8 gs | r4 as8 as r2 | %m17
		gs8 gs gs8 ds4-> gs8 gs gs | ds4 r gs4 as | b8 b4 as8 gs as b4 | as gs8 as b4 as | % m21
		as4 as8 as4 as8 b cs | b16( cs b8) as4 gs as | b8 b4 as8 gs as b4 | as gs as8 b4 as8~ | as as as4 as8 b cs cs | %m26
		b16( cs b8) as4 r2 | \key df \major bf1 \melisma | bf2. \melismaEnd r4 | %m29
		bf8 c df4 df8( c4) bf8 | c4. df8 c4 c | df df4. c8 c4 | c4. c8 c4. bf8 | c df c4 bf2 | %m34
		r4 df2. \melisma | df1 | ef2 af,4 \melismaEnd r | bf8 c df4 df df | c8 c4 ef df4. | c4 f f c | c8 df4 df8 df ef df4 | c1 | \key c \major %m42
		c2 d4 d8 e~ | e e4 d8 c4 c | c4 c8 c c4 a8 a~ | a a a a4 a8 f'4 | %or far m46
		e8 e4 d g, g8 | g g g2 g4 | g4. g8 g4 g | g8 g4. r4 g | %keci
		c4 c8 c4 b8 b4 | b8( c) b4 b8 c4 b8~ | b4 b c8 b4 b8~ |
		b a b c b4 a | %m55
		r4 a  c c | c b8 b4 c4 b8 | b4 c8 b4 b b8 | b4 b8 c b4 a | b4 c8 b4 b b8 | b4 b8 b c b4 a8 | %sabbe 2
		c4 f f c | c8 d4 d8 d e d4 | c1 | %m63
		r1 | c \melisma | gs | \tuplet 3/2 1 {
			c1 \melismaEnd e2 | f,2 f a2 | a a c4 c | c2 c c| cs4 cs cs2 d | 
		} %m71 neparo
				f g4 g,8 b | c4 c8 c( b) a b4 | c b4. b4 c8 | b4 a b8 b4 b8 | b b( c) b4. a4~ |
				a r4. a8 b4 | c c8 c( b) b b b | c4 b b c8 c~| c b4 b8 b4 b8 b( | %chey ya
						c8) b a2 r4 | c1 \melisma | \key df \major df | ef | df \melismaEnd | %m85
				r2 c8 bf f f'~ | f f4 r8 f f gf4 | ef8 f4 ef df r8 | r4 c8 ef4 r4. | %m89
				r8 gf,8 gf4 r2 | f'8( gf) af( bf) c4 c | %repeat m91
				df4 df df,8 df4 df8 | df4 df  df4. gf8~ | gf gf gf4 gf gf8 gf(| af) af af af af4 af |
				df, df df8 df4 df8 | gf8 gf gf4 gf gf8 gf( | af) af4 af af8 af4 | af4 af8 af df,4 df~ |
				df r df df | r2 df4 df | %m101
				af'4 gf4 ef8 ef ef4 | df8 df df4 df df8 df | df2 \melisma ef | af,1 | af4 \melismaEnd r2 c4 | %m106
				df4 df8 df4 c8 df4 | ef df4. c8 df4 | ef df df ef8 df~ | df df df df ef df4. | %m110
				c2 r4 c | ef ef8 ef( df) c df4 | ef df4. df4 ef8 | ef4 df c8 df4 df8~ | df df ef df4 gf4. | gf,4( gf' e d) |
				d1 \melisma | \key g \major g, | c | d | g, | d' \melismaEnd |
d4 d d8 d d d | d4 d8 d4 d8 d4 | g, g8 g4 g8 g4 | d'4 d4. r4. |
r4 d d d8 d8 | d4 d8 d4 g4. | d8 d d4 d8 d4 d8 | g,4 g g8 g g4 | g4 g2.
}
bassWords = 

\new Lyrics = "firstVerse" \lyricsto "basses" \lyricmode {
	Oh -- Kā- ra- ni- ya mat- tha ku- sa- le- na yaṃ taṃ saṃ taṃ pa- daṃ a- bhi- sa mec- ca:
		up- right, ea- sy to talk to, gen- tle, hum- ble, 
		un- con- ceit- ed, 

		Oh -- liv- ing light- ly.  Peace- ful and wise, mod- est and un-.
			Sa- ko u- ju ca su- hu- ju ca, su- va- co cas- sa mu- du an- a- ti- 

			<<
			{ mā- ni. 
				San- tus sa- ko ca su- bha- ro ca ap- pa- ki- co ca sa- la- hu- ka- -- }
	\new Lyrics = "secondVerse"
		\with { alignBelowContext = #"firstVerse" }
	{
		\set associatedVoice = "basses"
			vu- ti, San- tin dri- yo ca ni- pa- ko ca ap- pa ghab- bho ku- le su a- na- nu 
	}
	>>
		gid- dho. Oh --

		Na- ca ku- daṃ sa- ma- ca- re kin- ci, ye- na viñ- ñu pa- re u- pa- va- dey- yuṃ. Oh --

		Su- khi- no vā khe- mi- no hon- tu sab- be sat tā bha- van- tu su- khi- tat- tā.
		Oh weak or strong, great or might- y, me- di- um, short, or small, seen and un- seen, near or far, Those born and to be born, may all be- ings be hap- py. 
		Ye ke- ci pā- na bhū- tat- thi ta- sā vā thā- va- rā vā  a- na- va- se- sā
		<<
		{
			Dī- ghā	vā ye ma- han- tā vā maj- jhi- mā ras- sa- kā- nu- ka- thū- lā
		}
	\new Lyrics = "secondVerse"
		\with {alignBelowContext = #"firstVerse" }
	{
		\set associatedVoice = "basses"
			Dit- thā vā ye-	va ad- dit- thā 
	}

	\new Lyrics = "thirdVerse"
		\with {alignBelowContext = #"secondVerse" }
	{
		\set associatedVoice = "basses"
			Bhū- tā vā sam-	bha- ve- sī vā
	}

	>>
		ye ca dū- re va- san- ti a- vi- dū- re 
		sab- be sat tā bha- van- tu su- khi- tat- tā.

		Oh --

		May no one by an- ger or a- ver- sion wish harm up- on an- oth- er.  

		Na pa- ro pa- raṃ ni- kub- be- tha	
		nā- ti-	mañ- ñe- tha kat- tha- ci naṃ kañ- ci
		by- ā- ro- sa- nā pa- ṭi-	gha- sañ- ñā
		nāñ- ña- mañ- ñas- sa duk- kha-	mic- chey- ya
		Oh -- Lo- ving the whole world, let the heart be- come bound- less. be- low, un- blocked, free from ha- tred.

		<<
		{
			Mā- tā ya- thā ni- yaṃ put- taṃ
				ā- yu- sā e- ka- put- ta- ma- nu- rak- khe
		}
	\new Lyrics {
		\new Lyrics = "secondVerse"
			\with {alignBelowContext = #"basses" }

		\set associatedVoice = "basses"
			E- vam-	pi sab-	ba- bhū- te- sū
			mā- na-	saṃ bhā- va- ye a- pa- ri- mā- ṇaṃ
	}
	\new Lyrics {
		\new Lyrics = "thirdVerse"
			\with {alignBelowContext = #"basses" }
		\set associatedVoice = "basses"

			Met- taṃ ca sab- ba- lo- kas- miṃ
			mā- na-	saṃ bhā- va- ye a- pa- ri- mā- ṇaṃ
	}
	>>

		Ud- dhaṃ a- dho ca ti- ri- yañ-	ca
		a- sam- bā- dhaṃ a- ve- raṃ a- sa- pat-	taṃ

		walk- ing, lie down, free from drow- si- ness, cul- ti- vate mind- ful- ness. Oh --

		Tiṭ- ṭhaṃ  ca- raṃ  ni-	sin- no	vā	
		sa- yā-	no  vā yā- va- tas- sa vi- ga- ta- mid- dho
		E- taṃ sa- tiṃ  a- dhiṭ- ṭhey- ya
		brah- ma- me- taṃ vi- hā- raṃ i- dha- mā- hu
		/u/ /a/

		Diṭ- ṭhiñ- ca a- nu- pa- gam- ma sī- la- vā
		das- sa- ne- na sam- pan- no
		Kā- me- su vi- ney- ya ge- dhaṃ
		na hi jā- tu gab- bha- sey- yaṃ pu- na- re- tī- ti
}
%top piano staff
topstaff = \relative c' {
	\partcombine << \sopMusic >> << \altoMusic >>
}
%bottom piano staff
botstaff = \relative c' {
	\clef bass
		\partcombine << \tenorMusic >> <<  \bassMusic >>
}
music = {
	<<
		>>
}