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Extent of hairpins
From: |
David Sumbler |
Subject: |
Extent of hairpins |
Date: |
Tue, 19 Jan 2016 15:18:11 +0000 |
I find that consecutive hairpins (e.g. {c\< d\>}) are too closely spaced
in standard Lilypond output.
Looking at Elaine Gould's wonderful book "Behind Bars", I notice that in
such cases her examples show one hairpin ending at the left-hand edge of
a note and the next beginning at the right-hand edge of the same note,
although she does not appear to say this - or if she does, it is a rare
example of ambiguity in the text. (She says "good practice is to start
the hairpin on the left-hand edge of the note and to finish in on the
right-hand edge of a note"; looking at her examples, by "the right-hand
edge of a note" in this context she means the left-hand edge of the
following note, which is arguably the end of the duration of the first
note.)
This spacing gives a separation between consecutive hairpins of one
notehead width, centred on the note, which looks just about right to me.
Lilypond's default separation seems to be half of a notehead's width or
slightly less, centred on the note. How can I alter this to increase
the separation to a full notehead's width?
When hairpins are not consecutive, but stand alone (without starting or
terminating dynamics), Lilypond appears to start a hairpin at the left
edge of the first note and end it at the right-hand edge of the last.
This has always looked wrong to me, and judging from p. 104 of her book,
it does to Elaine Gould too. How can I change the default so that
hairpins normally stop at the left-hand edge of the final note?
David
- Extent of hairpins,
David Sumbler <=