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Re: Transpose for pattern sheets
From: |
Peter Berlau |
Subject: |
Re: Transpose for pattern sheets |
Date: |
Wed, 21 Oct 2009 18:20:36 +0200 |
Hi Tim,
I have corrected the range to be playable for saxophone.
I do step chromatic because, however, I faster memorize patterns if I
exercise in that way.
After that I vary intervalls as Dick Grooves practice templates ;-)
My saxophone hero is Sonny Rollins, I also like Dexter Gordon and
Jerry Bergonzi very much and Seamus Blake, Wayne Shorter and many
others also.
I just figured out some Coltrane patterns to lock to his structures,
especially "Giant Steps" period, the permutation stuff ;-)
Keep swingin'
Peter
Am Wed, 21 Oct 2009 09:10:41 -0500
schrieb Tim McNamara <address@hidden>:
>
> On Oct 21, 2009, at 4:13 AM, Peter Berlau wrote:
>
> > I have done writing done some patterns of my favorite sax players
> > and like to transpose this patterns to any key.
> >
> > I found a solution but I am not sure if this is a elegant method,
> > also maybe it is more useful to make use of the enharmonics to make
> > the sheet more readable. Is there any (much) better soulution?
>
> Looks like good code to me, the end result seems fine, but it also
> looks like several of the transpositions result in notes out of the
> range the saxophones.
>
> Reading through it might be easier if you backcycle by fourths
> instead of ascending chromatically (e.g., from the keys of C to F to
> Bb to Eb, etc.) since this only changes one flat per key. It is
> traditional to practice this way; however, if you want to be playing
> Coltrane stuff, he often didn't move through the keys that way.
> There's little point in making things too easy when trying to master
> Coltrane's music.
>
> I've always felt sorry for his accompanying musicians- Trane worked
> on those tunes at home for months- such as "Giant Steps"- and then
> sprung them on his colleagues in the studio, giving them only a
> short time to prepare before recording.
>
>
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