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[Lilypond-auto] Issue 3236 in lilypond: Addition to Techniques Specific
From: |
lilypond |
Subject: |
[Lilypond-auto] Issue 3236 in lilypond: Addition to Techniques Specific to Lyrics in Notation Reference |
Date: |
Sun, 10 Mar 2013 23:28:31 +0000 |
Status: Accepted
Owner: ----
Labels: Type-Documentation
New issue 3236 by address@hidden: Addition to Techniques Specific to
Lyrics in Notation Reference
http://code.google.com/p/lilypond/issues/detail?id=3236
Guy Stalnaker requested an enhancement to the docs here:
http://lists.gnu.org/archive/html/bug-lilypond/2013-03/msg00052.html
as follows:
Add to this page after the section for Divisi lyrics at the bottom:
http://lilypond.org/doc/v2.16/Documentation/notation/techniques-specific-to-lyrics
The following is based on this page for Temporary polyphonic passages.
http://lilypond.org/doc/v2.16/Documentation/notation/multiple-voices
Addition:
It is common in choral music to have a voice part split for a cadence, or a
measure or two. The << {...} \\ {...} >> construct, where the two (or more)
musical expressions are separated by double backslashes, might seem the
proper way to set the split voices. This construct, however, will assign
*all* the expressions within it to *NEW Voice contexts* which will result
in *no lyrcis* being set for them since the lyrics will be set to the
original voice context--not, typically, what one wants. The temporary
polyphonic passage is the proper construct to use.
The temporary polyphonic passage construct format is:
<code>
<< { \voiceOne ... }
\new Voice { \voiceTwo ... }
\oneVoice
</code>
Note the absence of \\ after \voiceOne! The first expression within a
temporary polyphonic passage is placed into the Voice context which was in
use immediately before the polyphonic passage, and that same Voice context
continues after the temporary section. Other expressions within the angle
brackets are assigned to distinct temporary voices. This allows lyrics to
be assigned to one continuing voice before, during and after a polyphonic
section, but not the temporary voices.
The following example shows how to create a temporary polyphonic
(multi-voice) passage that will also set lyrics. If you normally create
voice and lyrics variables then construct the score using those variables,
the lyrics for a voice using this temporary polyphonic passage construct
will be set following \voiceOne.
<code>
verse = \lyricmode {
%Verse one snippet
Est et in -- ef --
fa -- bi -- lis
In di -- vi -- ni --
ta -- te.
%Verse two ending
An -- ti -- que de --
e --
rum.
}
bass = {
\key f \major
\time 4/4
\repeat volta 2 {
g,4 g, bf, bf, |
a, bf, c2 |
}
\alternative {
{ %First ending
c4 c bf, bf, |
c2 c
}
{ %Second ending
<<
{ \voiceOne c4 c f f | ef2( df) | c1 }
{ \new Voice { \voiceTwo c4 c bf, g, | f,1 | f,1 \fermata } }
| \voiceOne
}
}\bar "|."
}
bassPart = \new Staff
{ \clef bass \bass }
\addlyrics { \verse }
\score {
<<
\bassPart
>>
\layout { }
\midi { }
}
</code>
Best regards,
Guy
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