[Gzz-commits] manuscripts/Paper SCRATCH paper.tex

[Tuomas J. Lukka]

CVSROOT:        /cvsroot/gzz
Module name:    manuscripts
Changes by:     Tuomas J. Lukka <address@hidden>        03/03/31 11:24:22

Modified files:
        Paper          : SCRATCH paper.tex 

Log message:
        cut

CVSWeb URLs:
http://savannah.gnu.org/cgi-bin/viewcvs/gzz/manuscripts/Paper/SCRATCH.diff?tr1=1.3&tr2=1.4&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/gzz/manuscripts/Paper/paper.tex.diff?tr1=1.109&tr2=1.110&r1=text&r2=text

Patches:
Index: manuscripts/Paper/SCRATCH
diff -u manuscripts/Paper/SCRATCH:1.3 manuscripts/Paper/SCRATCH:1.4
--- manuscripts/Paper/SCRATCH:1.3       Fri Jan 10 12:04:54 2003
+++ manuscripts/Paper/SCRATCH   Mon Mar 31 11:24:22 2003
@@ -1,3 +1,85 @@
+============= INSTRUCTION TO AUTHOR ================
+
+AUTHOR GUIDELINES FOR 8.5 x 11-INCH PROCEEDINGS MANUSCRIPTS -
+
+(1) ALL MANUSCRIPTS MUST BE IN ENGLISH.
+
+(2) PRINTING YOUR PAPER. (For hard-copy.) Print your properly formatted
+text on high-quality, 8.5 x 11-inch white printer paper (A4 size is
+also acceptable).
+
+All printed material, including text, illustrations, and charts, must
+be kept within a print area 6-7/8 inches (approx. 17.5 cm) wide by 8-7/8
+inches (approx. 22.5 cm) high.
+
+(3) PAGE AND COLUMN LAYOUT. Start the first page in a one-column
+format. Center your title about 3 lines down from the normal top of the
+print area. Follow the title with two blank lines. The author name(s)
+and affiliation(s) are next, centered beneath the title and followed by
+two blank lines.
+
+Your Abstract and the remainder of the paper are to be in a two-column
+format (except for figures or tables that may span both columns if
+necessary). If the last page is not filled, please divide the data into
+two equal columns.
+
+Columns in the two-column format are to be 3-1/4 inches wide (approx. 8.5
+cm), with a 3/8-inch (approx. 1.0 cm) space between columns, for a total
+print area width of 6-7/8 inches (approx. 17.5 cm). The length of the
+print area of any page must not exceed 8-7/8 inches (approx. 22.5 cm).
+
+(4) TYPE STYLE AND SIZE OF TEXT. Normal text is to be single spaced in
+10-point Times or Times Roman(or similar font), with 12-point interline
+spacing, in the two-column format. The first line of each paragraph is
+to be indented approximately 1/4 inch (approx. 0.7 cm), and the entire
+text is to be justified -- that is, flush left and flush right. Please
+do not place additional line spacing between  aragraphs. Figure and
+table captions should be Helvetica 10-point boldface; callouts should
+be Helvetica 9-point nonboldface.
+
+(5) ABSTRACTS. The Abstract should be approximately 150 words or fewer,
+italicized, in 10-point Times (or Times Roman.) Please leave two spaces
+between the Abstract and the heading of your first section.
+
+(6) TITLE AND HEADINGS. The main title should be in Times (or Times Roman)
+14-point boldface centered over both columns. In the main title, please
+initially capitalize nouns, pronouns, verbs, adjectives, and adverbs;
+do not capitalize articles, coordinate conjunctions, and prepositions
+(unless the title begins with such a word). Initially capitalize only
+the first word in first-, second-, and third-order headings. Leave two
+blank lines before author names(s)/affiliation(s).
+
+AUTHOR NAME(S)/AFFILIATION(S) are to be centered in Times (or Times Roman)
+12-point nonboldface. Leave two blank lines before your Abstract.
+
+ABSTRACT HEADING. The abstract heading is to be 11-point boldface,
+initially capitalized and centered within the column.
+
+FIRST-ORDER HEADINGS. First-order headings (for example, 1: Introduction)
+are to be Times 12-point boldface, flush left, with one blank line before,
+and one blank line after.
+
+SECOND-ORDER HEADINGS. Second-order headings (for example, 1.1: Database
+elements) are to be Times 11-point boldface, flush left, with one blank
+line before, and one after. If you require a third-order heading (we
+discourage it), then it is to be in Times 10-point boldface, preceded
+by one blank line, and followed by a period and text on same line.
+
+(7) ILLUSTRATIONS, GRAPHS, AND PHOTOGRAPHS. Illustrations, graphs, and
+photographs may fit across both columns, if necessary. Your artwork must
+be in place in the article.  If you are printing a hard copy, use rubber
+cement to affix the artwork in place.
+
+Although halftones can be shot from color prints, black and white
+photos are preferable. Please supply the best quality photographs and
+illustrations possible. The quality of the book cannot be better than
+the originals provided.
+
+(8) USE OF TAPE. (For hard copy.) Do not place cellophane tape over any
+part of your text or graphics. (Cellophane tape may distort or obliterate
+what it covers, and it retains fingerprints and dir
+
+
 
 \section{old}
 Texture is an important visual attribute: it is used in the human
Index: manuscripts/Paper/paper.tex
diff -u manuscripts/Paper/paper.tex:1.109 manuscripts/Paper/paper.tex:1.110
--- manuscripts/Paper/paper.tex:1.109   Mon Mar 31 11:20:20 2003
+++ manuscripts/Paper/paper.tex Mon Mar 31 11:24:22 2003
@@ -232,8 +232,8 @@
 it refers to mapping 2D arrays of numerical values onto graphics primitives
 such as polygons or Bezi\'er patches, modifying their rendered appearance 
 in some way (coloring\cite{catmull74}, bump mapping\cite{blinn78bump}, etc.).
-
 \iftechreport
+
 Due to the price of texturing-capable hardware, most uses
 of texturing until the mid-1990s were in scientific
 visualization and the entertainment industry.
@@ -249,8 +249,8 @@
 (often called texture 
 shading in that context)\iftechreport\cite{fuchs89pixelplanes,lastra95shading,%
 olano98pixelflow,mccool99textureshaders}\fi.
-\fi
 
+\fi
 %In addition to being drawn by hand or scanned,
 Textures have been synthesized in several ways: 
procedurally\cite{perlin-noise-intro},
 using 
@@ -275,9 +275,8 @@
 \emph{visual texture 
discrimination}\cite{julesz62visualpattern,bergen91theories}, 
 the ability of human observers to effortlessly discriminate
 pairs of certain textures. 
-Discrimination models can provide insight on the pre-attentive 
-processes underlying visual perception.
-
+%Discrimination models can provide insight on the pre-attentive 
+%processes underlying visual perception.
 Julesz\cite{julesz81textons} proposed that texture discrimination could be 
 explained by the densities of textons, fundamental texture elements, such as
 elongated blobs, line terminators, and line crossings.