\version "2.19.82"
date = #(strftime "%d-%m-%Y" (localtime (current-time)))
\header {
title = \markup { \column { \fontsize #6 \bold "I Lombardi alla prima Crociata" } }
}
\paper {
#(set-paper-size "a4")
%%%%%%%% top-margin = 1.0\cm
%%%%%%% bottom-margin = 1.0\cm
ragged-last-bottom = ##t
ragged-bottom = ##t
}
%%%%%%%%%%%% #(set-global-staff-size 20.16)
\layout {
\context { \Score
skipBars = ##t
autoBeaming = ##f
}
}
#(define-markup-command (arrow-at-angle layout props angle-deg length fill)
(number? number? boolean?)
(let* (
(PI-OVER-180 (/ (atan 1 1) 34))
(degrees->radians (lambda (degrees) (* degrees PI-OVER-180)))
(angle-rad (degrees->radians angle-deg))
(target-x (* length (cos angle-rad)))
(target-y (* length (sin angle-rad))))
(interpret-markup layout props
(markup
#:translate (cons (/ target-x 2) (/ target-y 2))
#:rotate angle-deg
#:translate (cons (/ length -2) 0)
#:concat (#:draw-line (cons length 0)
#:arrow-head X RIGHT fill)))))
splitStaffBarLine = {
\once \override Staff.BarLine #'stencil =
#(lambda (grob)
(ly:stencil-combine-at-edge
(ly:bar-line::print grob)
X RIGHT
(grob-interpret-markup grob #{
\markup\with-dimensions #'(0 . 0) #'(0 . 0) {
%%%%% ATTENTION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% translations (1er argument) à régler en fonction de l'armure
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\translate #'(1.5 . .35)\arrow-at-angle #60 #(sqrt 8) ##t
\translate #'(0.7 . .05)\arrow-at-angle #20 #(sqrt 8) ##t
\translate #'(0.5 . -.03)\arrow-at-angle #-20 #(sqrt 8) ##t
\translate #'(0.0 . -.25)\arrow-at-angle #-60 #(sqrt 8) ##t }#})
0))
\break
}
convDownStaffBarLine = {
\once \override Staff.BarLine #'stencil =
#(lambda (grob)
(ly:stencil-combine-at-edge
(ly:bar-line::print grob)
X RIGHT
(grob-interpret-markup grob #{
\markup\with-dimensions #'(0 . 0) #'(0 . 0) {
%%%%% ATTENTION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% translations (1er argument à régler en fonction de l'armure
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\translate #'(1.4 . -.1)\arrow-at-angle #-45 #(sqrt 8) ##t }#})
0))
\break
}
convUpStaffBarLine = {
\once \override Staff.BarLine #'stencil =
#(lambda (grob)
(ly:stencil-combine-at-edge
(ly:bar-line::print grob)
X RIGHT
(grob-interpret-markup grob #{
\markup\with-dimensions #'(0 . 0) #'(0 . 0) {
%%%%% ATTENTION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% translations(1er argument) à régler en fonction de l'armure
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\translate #'(1.4 . .1)\arrow-at-angle #45 #(sqrt 8) ##t }#})
0))
\break
}
myBreak = { \break }
%%%%%%%% myBreak = { }
PartPTousVoiceOne = \relative g' {
\clef "treble" \key c \major \numericTimeSignature \time 4/4
\override MultiMeasureRest.expand-limit = #3
\mark "Adagio" \partial 4 r4 \set Score.currentBarNumber = #2
R1*5 | \myBreak % 6
R1*3 | % 9
r2 r4 g8. ^\markup{ \italic {Cantabile con espress.} } ^\p
g16 %10
\mark \markup { \box { 13 } } g4 ( ^\< fis8. g16 a4 b8.
c16 ) | \myBreak %%%%%%%%%%% \pageBreak % 11
c2 ( \! ^\f ^\> g8 ) r8 d'8. ( -> \!
^\mf c16 ) | % 12
b8 r8 a8. ( -> g16 ) f8 r8
e8. ( -> d16 ) | % 13
a'8. ( [ g16 ) ] \once \omit TupletBracket
\times 2/3 {
g8 -. [ ^\p f8 -. e8 -. ] }
e8 r8 g8. g16 | % 14
g4 ^\< fis8. g16 a4 \times 2/3 {
b8 ( [ d8 ] c8 ) }
| % 15
c2 ( -> \! ^\mf g8 ) r8 g8. c16 | \myBreak % 16
e2 ~ \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. }
| % 17
c2 r4 g'8. ^\pp c16 | % 18
b4 b8. c16 a4 a8.
b16 | % 19
g2 ( d8 ) r8 d8. g16 | %%%%%%\barNumberCheck #20
b8. [ ^\mf a16 ] \times 2/3 {
b8 ( [ d8 ] c8 ) }
a8. [ gis16 ] \times 2/3 {
a8 ( [ c8 ] b8 ) } | \myBreak % 21
b8. ( [ ^\> a16 ] g2 ) g8. \! ^\p
^\< g16 | % 22
\mark \markup { \box { 14 } } | % 22
g4 \! ^\< fis8. g16 a4 \times 2/3 {
b8 ( [ \! ^\f d8 ] c8 ) }
| % 23
c2 ( ^\> g8 ) r8 \! g8. ^\mf c16
| % 24
e2 ~ -> \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. } | % 25
c2 r4 g'8. g16 |
\splitStaffBarLine
%%%%%%%%% \myBreak % 26
s1*8 %%%%%%%%%%% sauter à 34
}
PartPTousVoiceOneLyricsOne = \lyricmode {
\set ignoreMelismata = ##t
O si
-- gno -- "re," dal tet -- to na -- ti -- o ci chia -- ma -- sti con
san -- ta pro -- mes --\skip1 \skip1 \skip1 \skip1 "sa;" noi siam
cor -- "si all'" in -- vi -- to\skip1 "d'un" pi -- "o," giu -- bi --
lan --\skip1 do per "l'as" -- pro sen -- "tier." Ma la fron --
"te av" -- vi -- li -- "ta e" di -- mes -- sa han -- "no i" ser
--\skip1 vi\skip1 "già " bal --\skip1 "di e" \skip1 va -- len
--\skip1 "ti!..." "Deh!" non far che lu -- di -- brio al -- le gen
-- ti sie -- "no," Cri --\skip1 "sto,i" tuoi fi -- di guer --
"rier!..." Oh "fre -"
%{
"sc'au" -- "re " __\skip1 \skip1 vo -- lan --
ti sui va --\skip1 \skip1 ghi ru --\skip1 \skip1 scel -- let
--\skip1 \skip1 ti "de'" pra --\skip1 \skip1 ti lom -- bar --\skip1
\skip1 "di!..." fon -- "ti e" -- ter -- "ne! " __\skip1 \skip1 pu --
ris -- si -- mi la --\skip1 \skip1 "ghi!" oh\skip1 \skip1 vi -- gne
--\skip1 \skip1 "ti in" -- do -- ra --\skip1 \skip1 ti dal "sol!"
Do -- "no in" -- %}
faus -- "to," cru -- de --\skip1 "le è" \skip1 la men
--\skip1 \skip1 te che vi pin -- ge si ve -- "ri a" -- gli sguar --
"di," ed al lab -- bro "più" du -- "ra e" \skip1 co -- cen -- te fa
la sab --\skip1 bia "d'un" a -- ri -- do
%{
"suol!..." fa la sab --
"bia," fa la sab -- bia "d'un" a -- ri -- do "suol," "d'un" a -- ri
-- do "suol! " __\skip1
%}
}
PartPOneVoiceOne = \relative g' {
\clef "treble" \key c \major \time 4/4 \partial 4
s4 s1*25 %%%%%%%%%%%% sauter l'unisson
%{ r4
R1*5 \myBreak | % 6
R1*3 | % 9
r2 r4 g8. ^\markup{ \italic {Cantabile con espress.} } ^\p
g16 %10
\mark \markup { \box { 13 } } g4 ( ^\< fis8. g16 a4 b8.
c16 ) | %%%%%% \pageBreak % 11
c2 ( \! ^\f ^\> g8 ) r8 d'8. ( -> \!
^\mf c16 ) | % 12
b8 r8 a8. ( -> g16 ) f8 r8
e8. ( -> d16 ) \myBreak | % 13
a'8. ( [ g16 ) ] \once \omit TupletBracket
\times 2/3 {
g8 -. [ ^\p f8 -. e8 -. ] }
e8 r8 g8. g16 | % 14
g4 ^\< fis8. g16 a4 \times 2/3 {
b8 ( [ d8 ] c8 ) }
| % 15
c2 ( -> \! ^\mf g8 ) r8 g8. c16
| % 16
e2 ~ \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. }
| % 17
c2 r4 g'8. ^\pp c16 | % 18
b4 b8. c16 a4 a8.
b16 \myBreak | % 19
g2 ( d8 ) r8 d8. g16 |
%%%%\barNumberCheck #20
b8. [ ^\mf a16 ] \times 2/3 {
b8 ( [ d8 ] c8 ) }
a8. [ gis16 ] \times 2/3 {
a8 ( [ c8 ] b8 ) }
| % 21
b8. ( [ ^\> a16 ] g2 ) g8. \! ^\p
^\< g16 | % 22
\mark \markup { \box { 14 } } | % 22
g4 \! ^\< fis8. g16 a4 \times 2/3 {
b8 ( [ \! ^\f d8 ] c8 ) }
| % 23
c2 ( ^\> g8 ) r8 \! g8. ^\mf c16
| % 24
e2 ~ -> \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. }
\myBreak | % 25
c2 r4 g'8. g16 | %} %26
g4 f'4 ~ ^\> \times 2/3 {
f8 [ e8 -. ] ^\markup{ \small\italic {assai
staccato e sotto voce} } d8 -. }
\times 2/3 {
c8 -.^\p b8 -. a8 -. }
| % 27
\once \omit TupletBracket
\times 2/3 {
a8 -. [ g8 -. fis8 -. ] }
g8 r8 \once \omit TupletBracket
\times 2/3 {
a8 -. [ g8 -. fis8 -. ] }
g8 r8 | % 28
\once \omit TupletBracket
\times 2/3 {
g8 -. [ f8 -. e8 -. ] }
f8 r16 f16 \once \omit TupletBracket
\times 2/3 {
g8 -. [ f8 -. e8 -. ] }
f8 r16 f16 \myBreak | % 29
\once \omit TupletBracket
\times 2/3 {
e8 [ g8 c8 ] }
g4 r4 g8. ^\f g16 | %%%%\barNumberCheck #30
g4 f'4 ~ ^\> \times 2/3 {
f8 [ e8 -. ] d8 -. }
\times 2/3 {
c8 -.^\mp b8 -. a8 -. } | % 31
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}
PartPOneVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = ##t
%{ O si -- gno -- "re," dal tet -- to na -- ti -- o ci chia -- ma -- sti con
san -- ta pro -- mes --\skip1 \skip1 \skip1 \skip1 "sa;" noi siam
cor -- "si all'" in -- vi -- to\skip1 "d'un" pi -- "o," giu -- bi --
lan --\skip1 do per "l'as" -- pro sen -- "tier." Ma la fron --
"te av" -- vi -- li -- "ta e" di -- mes -- sa han -- "no i" ser
--\skip1 vi\skip1 "già " bal --\skip1 "di e" \skip1 va -- len
--\skip1 "ti!..." "Deh!" non far che lu -- di -- brio al -- le gen
-- ti sie -- "no," Cri --\skip1 "sto,i" tuoi fi -- di guer --
"rier!..." Oh "fre -- %}
"sc'au" -- "re " __\skip1 \skip1 vo -- lan --
ti sui va --\skip1 \skip1 ghi ru --\skip1 \skip1 scel -- let
--\skip1 \skip1 ti "de'" pra --\skip1 \skip1 ti lom -- bar --\skip1
\skip1 "di!..." fon -- "ti e" -- ter -- "ne! " __\skip1 \skip1 pu --
ris -- si -- mi la --\skip1 \skip1 "ghi!" oh\skip1 \skip1 vi -- gne
--\skip1 \skip1 "ti in" -- do -- ra --\skip1 \skip1 ti dal "sol!" Do
-- "no in -"
%{
faus -- "to," cru -- de --\skip1 "le è" \skip1 la men
--\skip1 \skip1 te che vi pin -- ge si ve -- "ri a" -- gli sguar --
"di," ed al lab -- bro "più" du -- "ra e" \skip1 co -- cen -- te fa
la sab --\skip1 bia "d'un" a -- ri -- do
%}
"suol!..." fa la sab --
"bia," fa la sab -- bia "d'un" a -- ri -- do "suol," "d'un" a -- ri
-- do "suol! " __\skip1
}
PartPTwoVoiceOne = \relative g' {
\clef "treble" \key c \major \time 4/4 \partial 4
s4 s1*25 %%%%%%%%%%%% sauter l'unisson
%{ r4 | % 1
R1*5 | % 6
R1*3 | % 9
r2 r4 g8. ^\p g16
g4 ( ^\< fis8. g16 a4 b8.
c16 ) | % 11
c2 ( \! ^\f ^\> g8 ) r8 d'8. ( -> \!
^\mf c16 ) | % 12
b8 r8 a8. ( -> g16 ) f8 r8
e8. ( -> d16 ) | % 13
a'8. ( [ g16 ) ] \once \omit TupletBracket
\times 2/3 {
g8 -. [ ^\p f8 -. e8 -. ] }
e8 r8 g8. g16 | % 14
g4 ^\< fis8. g16 a4 \times 2/3 {
b8 ( [ d8 ] c8 ) }
| % 15
c2 ( -> \! ^\mf g8 ) r8 g8. c16
| % 16
e2 ~ \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. }
| % 17
c2 r4 g'8. ^\pp c16 | % 18
b4 b8. c16 a4 a8.
b16 | % 19
g2 ( d8 ) r8 d8. g16 |
%%%%\barNumberCheck #20
b8. [ ^\mf a16 ] \times 2/3 {
b8 ( [ d8 ] c8 ) }
a8. [ gis16 ] \times 2/3 {
a8 ( [ c8 ] b8 ) }
| % 21
b8. ( [ ^\> a16 ] g2 ) g8. \! ^\p
^\< g16 | % 22
g4 \! ^\< fis8. g16 a4 \times 2/3 {
b8 ( [ \! ^\f d8 ] c8 ) }
| % 23
c2 ( ^\> g8 ) r8 \! g8. ^\mf c16
| % 24
e2 ~ -> \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. }
| % 25
c2 r4 g'8. g16 | %} %26
g4 d'4 ~ ^\> \times 2/3 {
d8 [ c8 -. ] b8 -.^\p }
\times 2/3 {
a8 -. g8 -. f8 -. }
| % 27
\once \omit TupletBracket
\times 2/3 {
f8 -. [ e8 -. dis8 -. ] }
e8 r8 \once \omit TupletBracket
\times 2/3 {
f8 -. [ e8 -. dis8 -. ] }
e8 r8 | % 28
\once \omit TupletBracket
\times 2/3 {
e8 -. [ d8 -. cis8 -. ] }
d8 r16 d16 \once \omit TupletBracket
\times 2/3 {
e8 -. [ d8 -. cis8 -. ] }
d8 r16 d16 | % 29
\once \omit TupletBracket
\times 2/3 {
c8 [ e8 g8 ] }
e4 r4 g8. ^\f g16 | %%%%\barNumberCheck #30
g4 d'4 ~ ^\> \times 2/3 {
d8 [ c8 -. ] b8 -. ^\mp }
\times 2/3 {
a8 -. g8 -. f8 -. } | % 31
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}
PartPTwoVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = ##t
%{
O si
-- gno -- "re," dal tet -- to na -- ti -- o ci chia -- ma -- sti con
san -- ta pro -- mes --\skip1 \skip1 \skip1 \skip1 "sa;" noi siam
cor -- "si all'" in -- vi -- to\skip1 "d'un" pi -- "o," giu -- bi --
lan --\skip1 do per "l'as" -- pro sen -- "tier." Ma la fron --
"te av" -- vi -- li -- "ta e" di -- mes -- sa han -- "no i" ser
--\skip1 vi\skip1 "già " bal --\skip1 "di e" \skip1 va -- len
--\skip1 "ti!..." "Deh!" non far che lu -- di -- brio al -- le gen
-- ti sie -- "no," Cri --\skip1 "sto,i" tuoi fi -- di guer --
"rier!..." Oh fre -- %}
"sc'au" -- "re " __\skip1 \skip1 vo -- lan --
ti sui va --\skip1 \skip1 ghi ru --\skip1 \skip1 scel -- let
--\skip1 \skip1 ti "de'" pra --\skip1 \skip1 ti lom -- bar --\skip1
\skip1 "di!..." fon -- "ti e" -- ter -- "ne! " __\skip1 \skip1 pu --
ris -- si -- mi la --\skip1 \skip1 "ghi!" oh\skip1 \skip1 vi -- gne
--\skip1 \skip1 "ti in" -- do -- ra --\skip1 \skip1 ti dal "sol!" Do
-- "no in -"
%{
faus -- "to," cru -- de --\skip1 "le è" \skip1 la men
--\skip1 \skip1 te che vi pin -- ge si ve -- "ri a" -- gli sguar --
"di," ed al lab -- bro "più" du -- "ra e" \skip1 co -- cen -- te fa
la sab --\skip1 bia "d'un" a -- ri -- do
%}
"suol!..." fa la sab --
"bia," fa la sab -- bia "d'un" a -- ri -- do "suol,"
"d'un" a -- ri
-- do "suol! " __\skip1
}
PartPThreeVoiceOne = \relative g {
\clef "treble_8" \key c \major \time 4/4 \partial 4
s4 s1*25 %%%%%%%%%%%% sauter l'unisson
%{ r4 | % 1
R1*5 | % 6
R1*3 | % 9
r2 r4 g8. ^\p g16
g4 ( ^\< fis8. g16 a4 b8.
c16 ) | % 11
c2 ( \! ^\f ^\> g8 ) r8 d'8. ( -> \!
^\mf c16 ) | % 12
b8 r8 a8. ( -> g16 ) f8 r8
e8. ( -> d16 ) | % 13
a'8. ( [ g16 ) ] \once \omit TupletBracket
\times 2/3 {
g8 -. [ ^\p f8 -. e8 -. ] }
e8 r8 g8. g16 | % 14
g4 ^\< fis8. g16 a4 \times 2/3 {
b8 ( [ d8 ] c8 ) }
| % 15
c2 ( -> \! ^\mf g8 ) r8 g8. c16
| % 16
e2 ~ \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. }
| % 17
c2 r4 g'8. ^\pp c16 | % 18
b4 b8. c16 a4 a8.
b16 | % 19
g2 ( d8 ) r8 d8. g16 |
%%%%\barNumberCheck #20
b8. [ ^\mf a16 ] \times 2/3 {
b8 ( [ d8 ] c8 ) }
a8. [ gis16 ] \times 2/3 {
a8 ( [ c8 ] b8 ) }
| % 21
b8. ( [ ^\> a16 ] g2 ) g8. \! ^\p
^\< g16 | % 22
g4 \! ^\< fis8. g16 a4 \times 2/3 {
b8 ( [ \! ^\f d8 ] c8 ) }
| % 23
c2 ( ^\> g8 ) r8 \! g8. ^\mf c16
| % 24
e2 ~ -> \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. }
| % 25
c2 r4 g'8. g16 | %} %26
g4 f'4 ~ ^\> \times 2/3 {
f8 [ e8 -. ] d8 -.^\p }
\times 2/3 {
c8 -. b8 -. a8 -. }
| % 27
\once \omit TupletBracket
\times 2/3 {
a8 -. [ g8 -. fis8 -. ] }
g8 r8 \once \omit TupletBracket
\times 2/3 {
a8 -. [ g8 -. fis8 -. ] }
g8 r8 | % 28
\once \omit TupletBracket
\times 2/3 {
g8 -. [ f8 -. e8 -. ] }
f8 r16 f16 \once \omit TupletBracket
\times 2/3 {
g8 -. [ f8 -. e8 -. ] }
f8 r16 f16 | % 29
\once \omit TupletBracket
\times 2/3 {
e8 [ g8 c8 ] }
g4 r4 g8. ^\f g16 | %%%%\barNumberCheck #30
g4 f'4 ~ ^\> \times 2/3 {
f8 [ e8 -. ] d8 -.^\mp }
\times 2/3 {
c8 -. b8 -. a8 -. } | % 31
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}
PartPThreeVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = ##t
%{
O si -- gno -- "re," dal tet -- to na -- ti -- o ci chia -- ma -- sti
con san -- ta pro -- mes --\skip1 \skip1 \skip1 \skip1 "sa;" noi
siam cor -- "si all'" in -- vi -- to\skip1 "d'un" pi -- "o," giu --
bi -- lan --\skip1 do per "l'as" -- pro sen -- "tier." Ma la fron --
"te av" -- vi -- li -- "ta e" di -- mes -- sa han -- "no i" ser
--\skip1 vi\skip1 "già " bal --\skip1 "di e" \skip1 va -- len
--\skip1 "ti!..." "Deh!" non far che lu -- di -- brio al -- le gen
-- ti sie -- "no," Cri --\skip1 "sto,i" tuoi fi -- di guer --
"rier!..." Oh fre --
%}
"sc'au" -- "re " __\skip1 \skip1 vo -- lan --
ti sui va --\skip1 \skip1 ghi ru --\skip1 \skip1 scel -- let
--\skip1 \skip1 ti "de'" pra --\skip1 \skip1 ti lom -- bar --\skip1
\skip1 "di!..." fon -- "ti e" -- ter -- "ne! " __\skip1 \skip1 pu --
ris -- si -- mi la --\skip1 \skip1 "ghi!" oh\skip1 \skip1 vi -- gne
--\skip1 \skip1 "ti in" -- do -- ra --\skip1 \skip1 ti dal "sol!" Do
-- "no in -"
%{
faus -- "to," cru -- de --\skip1 "le è" \skip1 la men
--\skip1 \skip1 te che vi pin -- ge si ve -- "ri a" -- gli sguar --
"di," ed al lab -- bro "più" du -- "ra e" \skip1 co -- cen -- te fa
la sab --\skip1 bia "d'un" a -- ri -- do
%}
"suol!..." fa la sab -- bia
"d'un" a -- ri -- do "suol," fa la sab -- bia "d'un" a -- ri -- do
"suol," "d'un" a -- ri -- do "suol," "d'un" a -- ri -- do "suol! "
__\skip1
}
PartPFourVoiceOne = \relative g {
\clef "bass" \key c \major \time 4/4 \partial 4
s4 s1*25 %%%%%%%%%%%% sauter l'unisson
%{ r4 | % 1
R1*5 | % 6
R1*3 | % 9
r2 r4 g8. ^\p g16
g4 ( ^\< fis8. g16 a4
b8. c16 ) | % 11
c2 ( \! ^\f ^\> g8 ) r8 d'8. ( -> \!
^\mf c16 ) | % 12
b8 r8 a8. ( -> g16 ) f8 r8
e8. ( -> d16 ) | % 13
a'8. ( [ g16 ) ] \once \omit TupletBracket
\times 2/3 {
g8 -. [ ^\p f8 -. e8 -. ] }
e8 r8 g8. g16 | % 14
g4 ^\< fis8. g16 a4 \times
2/3 {
b8 ( [ d8 ] c8 ) }
| % 15
c2 ( -> \! ^\mf g8 ) r8 g8.
c16 | % 16
e2 ~ \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. }
| % 17
c2 r4 g'8. ^\pp c16 | % 18
b4 b8. c16 a4 a8.
b16 | % 19
g2 ( d8 ) r8 d8. g16 |
%%%%\barNumberCheck #20
b8. [ ^\mf a16 ] \times 2/3 {
b8 ( [ d8 ] c8 ) }
a8. [ gis16 ] \times 2/3 {
a8 ( [ c8 ] b8 ) }
| % 21
b8. ( [ ^\> a16 ] g2 ) g8.
\! ^\p ^\< g16 | % 22
g4 \! ^\< fis8. g16 a4
\times 2/3 {
b8 ( [ \! ^\f d8 ] c8 ) }
| % 23
c2 ( ^\> g8 ) r8 \! g8. ^\mf
c16 | % 24
e2 ~ -> \times 2/3 {
e8 c8 -. a8 -. }
\times 2/3 {
g8 -. f8 -. d8 -. }
| % 25
c2 r4 g'8. g16 | %} %26
g4 g4.. ^\> g16 \times 2/3 {
g8 -. \! ^\p g8 -. g8 -. }
| % 27
c,8 r8 c8 r8 c8 r8 c8 r8 | % 28
g8 r8 g8 r16 g16 g8 r8 g8 r16
g16 | % 29
c8 r8 c4 r4 g'8. ^\f g16 |
%%%%\barNumberCheck #30
g4 g4.. ^\> g16 \times 2/3 {
g8 -. \! ^\mp g8 -. g8 -. } | % 31
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
}
PartPFourVoiceOneLyricsOne = \lyricmode {\set ignoreMelismata = ##t
%{
O Si -- gno -- "re," dal tet -- to na -- ti -- o ci chia -- ma -- sti
con san -- ta pro -- mes --\skip1 \skip1 \skip1 \skip1 "sa;" noi
siam cor -- "si all'" in -- vi -- to\skip1 "d'un" pi -- "o," giu --
bi -- lan --\skip1 do per "l'as" -- pro sen -- "tier." Ma la fron --
"te av" -- vi -- li -- "ta e" di -- mes -- sa han -- "no i" ser
--\skip1 vi\skip1 "già " bal --\skip1 "di e" \skip1 va -- len
--\skip1 "ti!..." "Deh!" non far che lu -- di -- brio al -- le gen
-- ti sie -- "no," Cri --\skip1 "sto,i" tuoi fi -- di guer --
"rier!..." Oh fre --
%}
"sc'au" -- "re " __ vo -- lan -- ti sui va --
ghi ru -- scel -- let -- ti "de'" pra -- ti lom -- bar -- "di!..."
fon -- "ti e" -- ter -- "ne! " __ pu -- ris -- si -- mi la "ghi!" oh
vi -- gne -- "ti in" do -- ra -- ti dal "sol!" Do -- "no in -"
%{
faus
-- "to," cru -- de --\skip1 "le è" \skip1 la men --\skip1 \skip1 te
che vi pin -- ge si ve -- "ri a" -- gli sguar -- "di," ed al lab --
bro "più" du -- "ra e" \skip1 co -- cen -- te fa la sab --\skip1
bia "d'un" a -- ri -- do
%}
"suol!..." fa la sab -- bia "d'un" a -- ri
-- do "suol," fa la sab -- bia "d'un" a -- ri -- do "suol," "d'un" a
-- ri -- do "suol," "d'un" a -- ri -- do "suol! " __\skip1
}
PartPFiveVoiceOne = \relative a' {
\clef "treble" \key c \major \time 4/4 \partial 4 \oneVoice r4 | % 1
R1 | % 2
r4 \voiceOne \once \omit TupletBracket
\times 2/3 {
8 -. [ _\pp 8 -.
8 -. ] } 8 \oneVoice r8 r4 | % 3
R1 | % 4
r4 \voiceOne \once \omit TupletBracket
\times 2/3 {
8 -. [ 8 -. 8 -. ]
}
8 \oneVoice r8 r4 | % 5
R1 | % 6
\voiceOne 2 ~ ~ _\ff _\> \times 2/3 {
8 b8\rest 8 }
\times 2/3 {
8 b8\rest 8 }
| % 7
\once \omit TupletBracket
\times 2/3 {
8 -. [ 8 -. 8 -. ] }
\once \omit TupletBracket
\times 2/3 {
8 -. [ 8 -. 8 -. ] }
4 -. \oneVoice r4 | % 8
r4\voiceOne \once \omit TupletBracket
\times 2/3 {
8 -. [ 8 -. 8 -. ] }
4 -. b4\rest | % 9
b4\rest \once \omit TupletBracket
\times 2/3 {
8 -. [ 8 -. 8 -. ] }
4 -. b4\rest
4 ( _\p _\< 8. [ 16 ]
a4 as4 )| % 11
}
PartPFiveVoiceTwo = \relative f' {
\clef "treble" \key c \major \time 4/4 \partial 4 s4*21 s1*4
s2 f2
}
PartPFiveVoiceFive = \relative g, {
\clef "bass" \key c \major \time 4/4 \partial 4 8. [
^\pp 16 ] ^\markup{ \italic {sotto voce} }
4 ( 8. [ 16 ] 4 8.[ 16 ) ]
c'4
\once \omit TupletBracket
\times 2/3 {c8 -. [ c8 -. c8 -. ] }
c,8 g8 \rest 8. ( -> [ 16 ) ]
8 r8 8. ( -> [ 16 )
] 8 r8 8. ( -> [ 16 ) ]
c'2*1/2 :128 b2*1/2 :128 c8 g8 \rest
8. [ 16 ] 4 ( 8.
[ ^\< 16 ] 4 8. [
16 ) ] 2 ~ ~ \! _\ff _\>
\times 2/3 {
8 8 -. [ 8 -.
] }
\once \omit TupletBracket
\times 2/3 {
8 -. [ 8 -. 8 -.
] }
\once \omit TupletBracket
\times 2/3 {
8 -. [ 8 -. 8
-. ] }
\once \omit TupletBracket
\times 2/3 {
8 -. [ 8 -. 8 -. ]
}
4 -. r4 4 -. -> \once \omit
TupletBracket
\times 2/3 {
8 -. [ 8 -. 8
-. ] }
4 -. r4 4 \arpeggio -> -.
\arpeggio \arpeggio \arpeggio \clef "treble" \once \omit
TupletBracket
\times 2/3 {
8 -. [ 8 -. 8
-. ] }
4 -. \clef "bass" r4 4 (
_\p _\< 8. [ 16 ] a'4
as4 )
}
PartPFiveVoiceSix = \relative c {
\clef "bass" \key c \major \time 4/4 \partial 4 s4*5 c2
c,8 s8*11 c2 ~ c8 s8*11 s4*13
\clef "treble" s2 \clef "bass" s4 s2 2
}
% The score definition
\score {
<<
\new StaffGroup
<<
\new Staff <<
\set Staff.instrumentName = "U"
\set Staff.shortInstrumentName = "U"
\context Staff <<
\context Voice = "PartPTousVoiceOne" { \PartPTousVoiceOne }
\new Lyrics \lyricsto "PartPTousVoiceOne" \PartPTousVoiceOneLyricsOne
>>
>>
\new Staff
<<
\set Staff.instrumentName = "S"
\set Staff.shortInstrumentName = "S"
\context Staff <<
\mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
\context Voice = "PartPOneVoiceOne" { \PartPOneVoiceOne }
\new Lyrics \lyricsto "PartPOneVoiceOne" { \set stanza = "1." \PartPOneVoiceOneLyricsOne }
>>
>>
\new Staff
<<
\set Staff.instrumentName = "A"
\set Staff.shortInstrumentName = "A"
\context Staff <<
\mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
\context Voice = "PartPTwoVoiceOne" { \PartPTwoVoiceOne }
\new Lyrics \lyricsto "PartPTwoVoiceOne" { \set stanza = "1." \PartPTwoVoiceOneLyricsOne }
>>
>>
\new Staff
<<
\set Staff.instrumentName = "T"
\set Staff.shortInstrumentName = "T"
\context Staff <<
\mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
\context Voice = "PartPThreeVoiceOne" { \PartPThreeVoiceOne }
\new Lyrics \lyricsto "PartPThreeVoiceOne" { \set stanza = "1." \PartPThreeVoiceOneLyricsOne }
>>
>>
\new Staff
<<
\set Staff.instrumentName = "B"
\set Staff.shortInstrumentName = "B"
\context Staff <<
\mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
\context Voice = "PartPFourVoiceOne" { \PartPFourVoiceOne }
\new Lyrics \lyricsto "PartPFourVoiceOne" { \set stanza = "1." \PartPFourVoiceOneLyricsOne }
>>
>>
>>
\new PianoStaff
<<
\set PianoStaff.shortInstrumentName = "P"
\context Staff = "1" <<
\mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
\context Voice = "PartPFiveVoiceOne" { \voiceOne \PartPFiveVoiceOne }
\context Voice = "PartPFiveVoiceTwo" { \voiceTwo \PartPFiveVoiceTwo }
>> \context Staff = "2" <<
\mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
\context Voice = "PartPFiveVoiceFive" { \voiceOne \PartPFiveVoiceFive }
\context Voice = "PartPFiveVoiceSix" { \voiceTwo \PartPFiveVoiceSix }
>>
>>
>>
\layout {
\context {\Staff
\RemoveAllEmptyStaves
%{ \RemoveEmptyStaves % éliminer les portées vides dès le début
% To use the setting globally, uncomment the following line:
\override VerticalAxisGroup #'remove-first = ##t
%}
}
}
% To create MIDI output, uncomment the following line:
\midi {\tempo 4 = 72 }
}