\version "2.19.82"
% automatically converted by musicxml2ly from I_Lombardi_Coro_di_crociati_e_pellegrini_O_Signore_dal_tetto_natio.mxl

date = #(strftime "%d-%m-%Y" (localtime (current-time)))


\header {
  Mytitleallpages =  "Coro di crociati e pellegrini" 
  title = \markup { \column { " " " " " " " " " " 
                             \fontsize #6 \bold "I Lombardi alla prima Crociata" " "   } }
  subtitle = \markup { \column {\fontsize #5 \bold  "Coro di crociati e pellegrini " "avec traduction française " " " } }
subsubtitle = \markup { \column {\fontsize #5 \bold "Choeur seul" } } 
 poet = "T. Solera"
 composer = \markup { \column { \bold \center-column {"Giuseppe Verdi" }}}
 
  arranger = "Transcription pour Evi Laetare : Daniel Bernair"
  
  enteredby = "DB"
  tagline = \markup {  "Partition gravée avec LilyPond (http://lilypond.org)" } 
}
\paper {
   #(include-special-characters)
  #(set-paper-size "a4")
  top-margin = 1.0\cm
  bottom-margin = 1.0\cm
% {
two-sided = ##t
 inner-margin = 1.0\cm
 outer-margin = 1.0\cm
 binding-offset = 1.0\cm
 %%%%%%%%%%% page-count = #6
%%%%%%%%%  system-system-spacing = #'((basic-distance . 20.0) (padding . 4.0))
%%%%%%%%%  systems-per-page = #2
% }
  ragged-last-bottom = ##t
  ragged-bottom = ##t
  
   oddFooterMarkup = \markup {\fill-line {
       % \column { \fromproperty #'header:meter }
        \column { \fromproperty #'header:tagline }
        \column { \line {DB le \date }}
        } }
   auto-first-page-number = ##f
    first-page-number = #0  
oddHeaderMarkup = \markup
\on-the-fly #not-first-page %%%%%%%%% ne pas imprimer sur la première page 
%%%%%%%%% \fill-line {
%%%%%%%%%%%%%\fromproperty #'header:title % titre sur la page N° 1 (en haut à gauche)
\fill-line {  \line { \fromproperty #'header:Mytitleallpages } % titre sur la page N° 1 (en haut à gauch
\on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string

}

evenHeaderMarkup = \markup
\on-the-fly #not-first-page %%%%%%%%% ne pas imprimer sur la première page
\fill-line { 
\on-the-fly #print-page-number-check-first \fromproperty 
#'page:page-number-string
" "
%%%%%%%%%%\fromproperty #'header:title % titre sur toutes les pages
\fromproperty #'header:Mytitleallpages  % titre sur la page N° 1 (en haut à gauchs
%%%%%%%% ou 
%%%%%%%  : \fill-line {  \line { \fromproperty #'header:Mytitleallpages \fromproperty #'header:subtitle } % titre sur la page N° 1 (en haut à gauchs
}
}
 \markup {
   
  \fill-line {
   \hspace #0.5
    \column {
      \null
      \null
      \null
      \null
      \line { Traduction d’André-Marie et Angelina }
      \null
    \line { O Signore, dal tetto natio  } %   
    \line { ci chiamasti con santa promessa ; } 
    \line { Noi siam corsi a l’invito d’un pio, } 
    \line { Giubilando per l’aspro sentier. } % 
    \line { Ma la fronte avvilita e dimessa }      
    \line { hanno i servi già baldi e valenti! }            
    \line { Deh! non far che ludibrio alle genti }
    \line { sieno, Cristo, i tuoi fidi guerrier! }
    \line { O fresc’aure volanti sui vaghi }             
    \line { ruscelletti de’ prati lombardi! }
    \line { Fonti eterne! purissimi laghi! }
    \line { O vigneti indorati dal sol! }
    \line { Dono infausto, crudele è la mente }
    \line { che vi pinge sì veri agli sguardi, }  
    \line { Ed al labbro più dura e cocente } 
    \line { fa la sabbia d’un arido suol!... }    
       }
    
    \hspace #1
    \column \italic {
      
      \null
      \null
      \null
      \null
      \null
      \null
      \line { Ô Seigneur, depuis notre pays natal }
      \line { tu nous appelas, nous faisant une promesse sacrée ; }
      \line { nous sommes accourus à l’invitation d’un saint homme, } 
      \line { allègres tout le long du pénible chemin. }
      \line { Mais tes serviteurs, naguère hardis et }
      \line { vaillants, ont aujourd’hui le visage mortifié, abattu! }
      \line { De grâce, ô Christ, ne permets pas que tes fidèles guerriers }
      \line { soient la risée du monde entier !...}
      %%%%%%%%%%%\null
      \line { Ah ! les fraîches brises ridant les gracieux }
      \line { ruisselets des prés de Lombardie !... }
      \line { les sources inépuisables ! les lacs limpides !  }
      \line { ah ! les vignobles dorés par le soleil ! }
      %%%%%%%%%%%%%%\null
      \line { Quel don funeste, quel don cruel que la mémoire, }
      \line { qui replace ainsi devant nos yeux le réel, }
      \line { et rend plus dur et plus cuisant sur nos } 
      \line { lèvres le sable de ce sol aride ! }      
    }
    \hspace #1
  }
 } 
\pageBreak 
#(set-global-staff-size 18)


\layout {

    \context { \Score
        skipBars = ##t
        autoBeaming = ##f
 
        }
    }
 
 %%%%% pour imprimer les flèches de séparation, cela ne fonctionne pas à cause du changement de tonalité.
#(define-markup-command (arrow-at-angle layout props angle-deg length fill)
  (number? number? boolean?)
  (let* (
      (PI-OVER-180 (/ (atan 1 1) 34))
      (degrees->radians (lambda (degrees) (* degrees PI-OVER-180)))
      (angle-rad (degrees->radians angle-deg))
      (target-x (* length (cos angle-rad)))
      (target-y (* length (sin angle-rad))))
    (interpret-markup layout props
      (markup
      #:translate (cons (/ target-x 2) (/ target-y 2))
      #:rotate angle-deg
      #:translate (cons (/ length -2) 0)
      #:concat (#:draw-line (cons length 0)
      #:arrow-head X RIGHT fill)))))

splitStaffBarLine = {
  \once \override Staff.BarLine.stencil =
  #(lambda (grob)
    (ly:stencil-combine-at-edge
    (ly:bar-line::print grob)
    X RIGHT
    (grob-interpret-markup grob #{
      \markup\with-dimensions #'(0 . 0) #'(0 . 0) {
        %%%%% ATTENTION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
        %%%%% translations (1er argument) à régler en fonction de l'armure
        %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
        \translate #'(1.5 . .35)\arrow-at-angle #60 #(sqrt 8) ##t
        \translate #'(0.7 . .05)\arrow-at-angle #20 #(sqrt 8) ##t
        \translate #'(0.5 . -.03)\arrow-at-angle #-20 #(sqrt 8) ##t
        \translate #'(0.0 . -.25)\arrow-at-angle #-60 #(sqrt 8) ##t }#})
    0))
  
  \break
}

convDownStaffBarLine = {
  \once \override Staff.BarLine.stencil =
  #(lambda (grob)
    (ly:stencil-combine-at-edge
    (ly:bar-line::print grob)
    X RIGHT
    (grob-interpret-markup grob #{
        \markup\with-dimensions #'(0 . 0) #'(0 . 0) {
          %%%%% ATTENTION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
          %%%%% translations (1er argument à régler en fonction de l'armure
          %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
          \translate #'(1.4 . -.1)\arrow-at-angle #-45 #(sqrt 8) ##t }#})
      0))
  \break
}

convUpStaffBarLine = {
  \once \override Staff.BarLine.stencil =
  #(lambda (grob)
    (ly:stencil-combine-at-edge
    (ly:bar-line::print grob)
    X RIGHT
    (grob-interpret-markup grob #{
        \markup\with-dimensions #'(0 . 0) #'(0 . 0) {
          %%%%% ATTENTION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
          %%%%% translations(1er argument) à régler en fonction de l'armure
          %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
          \translate #'(1.4 . .1)\arrow-at-angle #45 #(sqrt 8) ##t }#})
      0))
  \break
}
%%%%%%%%%  myBreak = { \break }
  myBreak = { }
PartPTousVoiceOne =  \relative g' {
  \clef "treble" \key c \major \numericTimeSignature \time 4/4
   \override MultiMeasureRest.expand-limit = #3  
  \mark "Adagio" \partial 4 r4 \set Score.currentBarNumber = #2 
 R1*5 | \myBreak  % 6
    R1*3 | % 9
    r2 r4   g8. ^\markup{ \italic {Cantabile con espress.} } ^\p
      g16  %10
    \mark \markup { \box { 13 } }   g4 ( ^\<   fis8.   g16   a4   b8.
      c16 ) | \myBreak  %%%%%%%%%%% \pageBreak % 11
      c2 (  \! ^\f ^\>   g8 ) r8   d'8. ( ->  \!
    ^\mf   c16 ) | % 12
      b8 r8   a8. ( ->   g16 )   f8 r8  
    e8. ( ->   d16 ) | % 13
      a'8. ( [   g16 ) ] \once \omit TupletBracket
    \times 2/3  {
          g8 -. [ ^\p   f8 -.   e8 -. ] }
      e8 r8   g8.   g16 | % 14
      g4 ^\<   fis8.   g16   a4 \times 2/3 {
          b8 ( [   d8 ]   c8 ) }
    | % 15
      c2 ( ->  \! ^\mf   g8 ) r8   g8.   c16 | \myBreak  % 16
      e2 ~ \times 2/3 {
          e8   c8 -.   a8 -. }
    \times 2/3  {
          g8 -.   f8 -.   d8 -. }
    | % 17
      c2 r4   g'8. ^\pp   c16 | % 18
      b4   b8.   c16   a4   a8.
      b16 | % 19
      g2 (   d8 ) r8   d8.   g16 | %%%%%%\barNumberCheck #20
      b8. [ ^\mf   a16 ] \times 2/3 {
          b8 ( [   d8 ]   c8 ) }
      a8. [   gis16 ] \times 2/3 {
          a8 ( [   c8 ]   b8 ) }  | \myBreak % 21
      b8. ( [ ^\>   a16 ]   g2 )   g8.  \! ^\p
    ^\<   g16   | % 22
    \mark \markup { \box { 14 } } | % 22
      g4  \! ^\<   fis8.   g16   a4 \times 2/3 {
          b8 ( [  \! ^\f   d8 ]   c8 ) }
    | % 23
      c2 ( ^\>   g8 ) r8  \!   g8. ^\mf   c16
    | % 24
      e2 ~ -> \times 2/3 {
          e8   c8 -.   a8 -. }
    \times 2/3  {
          g8 -.   f8 -.   d8 -. } | % 25
      c2 r4   g'8.   g16 | 
    \splitStaffBarLine 
     %%%%%%%%% \myBreak % 26
      s1*8 %%%%%%%%%%% sauter à 34
   
    \myBreak
    \mark \markup { \box { 15 } } | % 34
      es'4 ->   es8. ->   es16   bes8. -> [
      as16 ] \times 2/3 {
          as8 -> [   g8 -> ]   f8 -> }
      | % 35
      es8. [   g32   f32 ]   es4 r4   g8.
    ^\pp   g16 | % 36
      g4 (   d8. )   d16   es4 (   d8. )
      d16 | % 37
      d4 ( ^\<   g2 )   g8.  \! ^\p   g16 \myBreak
    | % 38
      g4 ^\<   fis8.   g16   a4 \times 2/3 {
          b8 ( [   d8 ]   c8 ) }
    | % 39
      c2  \! ^\mf ^\>   g8 r8  \!   g8. ^\p
      c16   | %%%%%%\barNumberCheck #40
      e2 ~ -> ^\f \times 2/3 {
          e8   c8 ->   a8 -> }
    \times 2/3  {
          g8 ->   f8 ->   d8 -> }
    \splitStaffBarLine
    | \myBreak % 41
    s1*8 %%%%%%%%%%% sauter tout le reste
    
    }
 
PartPTousVoiceOneLyricsOne =  \lyricmode {
 \set ignoreMelismata = ##t
 O si
    -- gno -- "re," dal tet -- to na -- ti -- o ci chia -- ma -- sti con
    san -- ta pro -- mes --\skip1 \skip1 \skip1 \skip1 "sa;" noi siam
    cor -- si~al -- "l'in" -- vi -- to __\skip1 "d'un" pi -- "o," giu -- bi --
    lan --\skip1 do per "l'as" -- pro sen -- "tier." Ma la fron --
    te~av -- vi -- li -- ta~e di -- mes -- sa han -- no~i ser
    --\skip1 vi __\skip1 "già" bal --\skip1 di~e __ \skip1 va -- len
    --\skip1 "ti!..." "Deh!" non far che lu -- di -- brio~al -- \skip4 le gen
    -- ti sie -- "no," Cri --\skip1 sto,~i tuoi fi -- di guer --
    "rier!..." Oh "fre -" 
   
    faus -- "to," cru -- de --\skip1 le~è __ \skip1 la men
    --\skip1 \skip1 te che vi pin -- ge si ve -- ri~a -- gli sguar --
    "di," ed al lab -- bro "più" du -- ra~e \skip1 co -- cen -- te fa
    la sab --\skip1 bia "d'un" a -- ri -- do
   
    } 

PartPOneVoiceOne =  \relative g' {
    \clef "treble" \key c \major \time 4/4 \partial 4
    s4 s1*25  %%%%%%%%%%%% sauter l'unisson
    
      g4   f'4 ~ ^\> \times 2/3 {
          f8 [   e8 -. ] ^\markup{ \small\italic {assai
                staccato e sotto voce} }   d8 -. }
       \times 2/3 {
          c8 -.^\p   b8 -.   a8 -. }
      | % 27
    \once \omit TupletBracket
    \times 2/3  {
          a8 -. [   g8 -.   fis8 -. ] }
      g8 r8 \once \omit TupletBracket
    \times 2/3  {
          a8 -. [   g8 -.   fis8 -. ] }
      g8 r8 | % 28
    \once \omit TupletBracket
    \times 2/3  {
          g8 -. [   f8 -.   e8 -. ] }
      f8 r16   f16 \once \omit TupletBracket
    \times 2/3  {
          g8 -. [   f8 -.   e8 -. ] }
      f8 r16   f16 \myBreak | % 29
    \once \omit TupletBracket
    \times 2/3  {
          e8 [   g8   c8 ] }
      g4 r4   g8. ^\f   g16 | %%%%\barNumberCheck #30
      g4   f'4 ~ ^\> \times 2/3 {
          f8 [   e8 -. ]   d8 -. }
      \times 2/3 {
          c8 -.^\mp   b8 -.   a8 -. }
      | % 31
    \once \omit TupletBracket
    \times 2/3  {
          a8 -. [ ^\markup{ \small\italic {sotto voce affato} }
          g8 -.   fis8 -. ] }
      g8 r8 \once \omit TupletBracket
    \times 2/3  {
          a8 -. [   g8 -.   fis8 -. ] }
      g8 r8 | % 32
    \once \omit TupletBracket
    \times 2/3  {
          g8 -. [   f8 -.   e8 -. ] }
      f8 r16   f16 \once \omit TupletBracket
    \times 2/3  {
          g8 -. [   f8 -.   e8 -. ] }
      f8 r16   f16 \myBreak | % 33
      e2 r4   c'8. ^\ff   c16 | % 34
      \convDownStaffBarLine
    %%%%%%% \mark \markup { \box { 15 } } | % 34
    
      s1*7 %%% sauter à 41
      c,4 r4 r4 \times 2/3 {
        r8   g'8 ^\markup{ \small\italic {sotto voce} } ^\pp
          g8 } | % 42
    g1 | % 43
      g4 ^\markup{ \italic {sempre dim.} } ^\p r4 r4 \times 2/3 {
        r8   g8   g8 }
      | % 44
    g1 | % 45
      g4 \times 2/3 {
        r8 r8   g8 ^\pp 
    ^\markup{ \italic {quasi insensibile} } }   g4 \times 2/3 {
        r8   g8   g8 } | % 46
      g4 \times 2/3 {
        r8 r8   g8 }
      g4 \times 2/3 {
        r8   g8   g8 }
    | % 47
    c1 ~ ^\< | % 48
      c2  \! ^\ff r2 ^\fermata \bar "|."
    }

PartPOneVoiceOneLyricsOne =  \lyricmode {\set ignoreMelismata = ##t
   "sc'au" -- "re " __\skip1 \skip1 vo -- lan --
    ti sui va --\skip1 \skip1 ghi ru --\skip1 \skip1 scel -- let
    --\skip1 \skip1 ti "de'" pra --\skip1 \skip1 ti lom -- bar --\skip1
    \skip1 "di!..." fon -- ti~e -- ter -- "ne! " __\skip1 \skip1 pu --
    ris -- si -- mi la --\skip1 \skip1 "ghi!" oh\skip1 \skip1 vi -- gne
    --\skip1 \skip1 ti~in -- do -- ra --\skip1 \skip1 ti dal "sol!" Do
    -- no~in-
    "suol!..." fa la sab --
    "bia," fa la sab -- bia "d'un" a -- ri -- do "suol," "d'un" a -- ri
    -- do "suol! " __\skip1
    }

PartPTwoVoiceOne =  \relative g' {
    \clef "treble" \key c \major \time 4/4 \partial 4 
    s4 s1*25  %%%%%%%%%%%% sauter l'unisson
    
      g4   d'4 ~ ^\> \times 2/3 {
          d8 [   c8 -. ] ^\markup{ \small\italic {assai
                staccato e sotto voce} }    b8 -.^\p }
       \times 2/3 {
          a8 -.   g8 -.   f8 -. }
      | % 27
    \once \omit TupletBracket
    \times 2/3  {
          f8 -. [   e8 -.   dis8 -. ] }
      e8 r8 \once \omit TupletBracket
    \times 2/3  {
          f8 -. [   e8 -.   dis8 -. ] }
      e8 r8 | % 28
    \once \omit TupletBracket
    \times 2/3  {
          e8 -. [   d8 -.   cis8 -. ] }
      d8 r16   d16 \once \omit TupletBracket
    \times 2/3  {
          e8 -. [   d8 -.   cis8 -. ] }
      d8 r16   d16   | % 29
    \once \omit TupletBracket
    \times 2/3  {
          c8 [   e8   g8 ] }
      e4 r4   g8. ^\f   g16 | %%%%\barNumberCheck #30
      g4   d'4 ~ ^\> \times 2/3 {
          d8 [   c8 -. ]   b8 -. ^\mp }
       \times 2/3 {
          a8 -.   g8 -.   f8 -. }
      | % 31
    \once \omit TupletBracket
    \times 2/3  {
          f8 -. [   e8 -.   dis8 -. ] }
      e8 r8 \once \omit TupletBracket
    \times 2/3  {
          f8 -. [   e8 -.   dis8 -. ] }
      e8 r8 | % 32
    \once \omit TupletBracket
    \times 2/3  {
          e8 -. [   d8 -.   cis8 -. ] }
      d8 r16   d16 \once \omit TupletBracket
    \times 2/3  {
          e8 -. [   d8 -.   cis8 -. ] }
      d8 r16   d16   | % 33
      c2 r4   c'8. ^\ff   c16 | % 34
      \convDownStaffBarLine
      s1*7 %%% sauter à 41
    
      c,4 r4 r4 \times 2/3 {
        r8   g'8 ^\pp   g8 }
      | % 42
    g1 | % 43
      g4 ^\markup{ \italic {sempre dim.} } ^\p r4 r4 \times 2/3 {
        r8   g8   g8 }
      | % 44
    g1 | % 45
      g4 \times 2/3 {
        r8 r8 g8 ^\pp ^\markup{ \italic {quasi insensibile} } }
      g4 \times 2/3 {
        r8   g8   g8 }
      | % 46
      g4 \times 2/3 {
        r8 r8   g8 }
      g4 \times 2/3 {
        r8   g8   g8 }
    | % 47
    <g e>1 ~ ^\< | % 48
    <g e>2  \! ^\ff r2 ^\fermata \bar "|."
    }

PartPTwoVoiceOneLyricsOne =  \lyricmode {\set ignoreMelismata = ##t 
   
    "sc'au" -- "re " __\skip1 \skip1 vo -- lan --
    ti sui va --\skip1 \skip1 ghi ru --\skip1 \skip1 scel -- let
    --\skip1 \skip1 ti "de'" pra --\skip1 \skip1 ti lom -- bar --\skip1
    \skip1 "di!..." fon -- ti~e -- ter -- "ne! " __\skip1 \skip1 pu --
    ris -- si -- mi la --\skip1 \skip1 "ghi!" oh\skip1 \skip1 vi -- gne
    --\skip1 \skip1 ti~in -- do -- ra --\skip1 \skip1 ti dal "sol!" Do
    --  no~in-
   
    "suol!..." fa la sab --
    "bia," fa la sab -- bia "d'un" a -- ri -- do "suol,"
    "d'un" a -- ri
    -- do "suol! " __\skip1
    }

PartPThreeVoiceOne =  \relative g {
    \clef "treble_8" \key c \major \time 4/4 \partial 4
    s4 s1*25  %%%%%%%%%%%% sauter l'unisson
   
      g4   f'4 ~ ^\> \times 2/3 {
          f8 [   e8 -. ] ^\markup{ \small\italic {assai
                staccato e sotto voce} }    d8 -.^\p }
       \times 2/3 {
          c8 -.   b8 -.   a8 -. }
      | % 27
    \once \omit TupletBracket
    \times 2/3  {
          a8 -. [   g8 -.   fis8 -. ] }
      g8 r8 \once \omit TupletBracket
    \times 2/3  {
          a8 -. [   g8 -.   fis8 -. ] }
      g8 r8 | % 28
    \once \omit TupletBracket
    \times 2/3  {
          g8 -. [   f8 -.   e8 -. ] }
      f8 r16   f16 \once \omit TupletBracket
    \times 2/3  {
          g8 -. [   f8 -.   e8 -. ] }
      f8 r16   f16   | % 29
    \once \omit TupletBracket
    \times 2/3  {
          e8 [   g8   c8 ] }
      g4 r4   g8. ^\f   g16 | %%%%\barNumberCheck #30
      g4   f'4 ~ ^\> \times 2/3 {
          f8 [   e8 -. ]   d8 -.^\mp  }
     \times 2/3 {
          c8 -.   b8 -.   a8 -. }
      | % 31
    \once \omit TupletBracket
    \times 2/3  {
          a8 -. [   g8 -.   fis8 -. ] }
      g8 r8 \once \omit TupletBracket
    \times 2/3  {
          a8 -. [   g8 -.   fis8 -. ] }
      g8 r8 | % 32
    \once \omit TupletBracket
    \times 2/3  {
          g8 -. [   f8 -.   e8 -. ] }
      f8 r16   f16 \once \omit TupletBracket
    \times 2/3  {
          g8 -. [   f8 -.   e8 -. ] }
      f8 r16   f16   | % 33
      e2 r4   c'8. ^\ff   c16 | % 34
      \convUpStaffBarLine
     s1*7 %%% sauter à 41 
     
     c,4 r4   < d'  g, >8 ^\pp r8   < d g, >8 r8   | % 42
      <e c>8 r8 <e c>8 r16 <e c>16 <d b>8 r8 <d b>8 r16 <d b>16 | % 43
      <e c>4 ^\markup{ \italic {sempre dim.} } ^\p r4 d8 r8 d8 r8 | % 44
      <e c>8 r8 <e c>8 r16 <e c>16 <d b>8 r8 <d b> 8 r16 <d b>16 | % 45
      <e c>4 \times 2/3 { r8 r8 <e c>8 ^\pp ^\markup{ \italic {quasi insensibile} }} <d b>4 \times 2/3 { r8 <d b>8 <d b>8 } | % 46
      <e c>4 \times 2/3 { r8 r8 <e c>8 } <d b>4 \times 2/3 { r8   <d b>8 <d b>8 }
    | % 47
    <e c>1 ~ ^\< | % 48
    <e c>2  \! ^\ff r2 ^\fermata \bar "|."
    }

PartPThreeVoiceOneLyricsOne =  \lyricmode {\set ignoreMelismata = ##t 
   
    "sc'au" -- "re " __\skip1 \skip1 vo -- lan --
    ti sui va --\skip1 \skip1 ghi ru --\skip1 \skip1 scel -- let
    --\skip1 \skip1 ti "de'" pra --\skip1 \skip1 ti lom -- bar --\skip1
    \skip1 "di!..." fon -- ti~e -- ter -- "ne! " __\skip1 \skip1 pu --
    ris -- si -- mi la --\skip1 \skip1 "ghi!" oh\skip1 \skip1 vi -- gne
    --\skip1 \skip1 ti~in -- do -- ra --\skip1 \skip1 ti dal "sol!" Do
    --  no~in-
    
    "suol!..." fa la sab -- bia
    "d'un" a -- ri -- do "suol," fa la sab -- bia "d'un" a -- ri -- do
    "suol," "d'un" a -- ri -- do "suol," "d'un" a -- ri -- do "suol! "
    __\skip1
    }

PartPFourVoiceOne =  \relative g {
    \clef "bass" \key c \major \time 4/4 \partial 4 
    s4 s1*25  %%%%%%%%%%%% sauter l'unisson
    
      g4   g4.. ^\>  ^\markup{ \small\italic {assai
                staccato e sotto voce} }   g16 \times 2/3 {
          g8 -.  \! ^\p   g8 -.   g8 -. }
      | % 27
      c,8 r8   c8 r8   c8 r8   c8 r8 | % 28
      g8 r8   g8 r16   g16   g8 r8   g8 r16
      g16   | % 29
      c8 r8   c4 r4   g'8. ^\f   g16 |
    %%%%\barNumberCheck #30
      g4   g4.. ^\>   g16 \times 2/3 {
          g8 -.  \! ^\mp   g8 -.   g8 -. }
      | % 31
      c,8 r8   c8 r8   c8 r8   c8 r8 | % 32
      g8 r8   g8 r16   g16   g8 r8   g8 r16
      g16   | % 33
      c2 r4   c'8. ^\ff   c16 | % 34
      \convUpStaffBarLine
      s1*7 %%% sauter à 41
    
     c,4 r4 <g' b,>8 ^\pp r8   <g  b, >8 r8   | % 42
    <c c,>8 r8 <c c,>8 r16 <c c,>16 <g g,>8 r8 <g g,>8 r16 <g g,>16 | % 43
    <c c,>4 ^\markup{ \italic {sempre dim.} } ^\p r4 <g b,>8 r8 <g b,>8 r8 | % 44
    <c c,>8 r8 <c c,>8 r16 <c c,>16 <g g,>8 r8 <g g,>8 r16 <g g,>16 | % 45
    <c c,>4 \times 2/3 { r8 r8 <c c,>8 ^\pp ^\markup{ \italic {quasi insensibile} }} <g g,>4 \times 2/3 { r8 <g g,>8 <g g,>8 } | % 46
    <c c,>4 \times 2/3 { r8 r8 <c c,>8 } <g g,>4 \times 2/3 { r8 <g g,>8 <g g,>8 } | % 47
    <g c,>1 ~ ^\< | % 48
    <g c,>2  \! ^\ff r2 ^\fermata \bar "|."
    }

PartPFourVoiceOneLyricsOne =  \lyricmode {\set ignoreMelismata = ##t 
    
    "sc'au" -- "re " __ vo -- lan -- ti sui va --
    ghi ru -- scel -- let -- ti "de'" pra -- ti lom -- bar -- "di!..."
    fon -- ti~e -- ter -- "ne! " __ pu -- ris -- si -- mi la "ghi!" oh
    vi -- gne -- ti~in do -- ra -- ti dal "sol!" Do --  no~in- 
    
    "suol!..." fa la sab -- bia "d'un" a -- ri
    -- do "suol," fa la sab -- bia "d'un" a -- ri -- do "suol," "d'un" a
    -- ri -- do "suol," "d'un" a -- ri -- do "suol! " __\skip1
    }

PartPFiveVoiceOne =  \relative a' {
    \clef "treble" \key c \major \time 4/4 \partial 4 \oneVoice r4 | % 1
    R1 | % 2
    r4 \voiceOne \once \omit TupletBracket
    \times 2/3  {
          <a dis fis a>8 -. [ _\pp   <a dis fis a>8 -.
          <a dis fis a>8 -. ] } <g' e g,>8 \oneVoice r8 r4 | % 3
     R1 | % 4
    r4 \voiceOne \once \omit TupletBracket
    \times 2/3  {
          <c, f a>8 -. [   <c f a>8 -.   <c f a>8 -. ]
        }
      <c e g>8 \oneVoice r8 r4 | % 5
    R1   | %%%%%%%%% \myBreak % 6
  \voiceOne    <e e'>2 ~ ~ _\ff _\> \times 2/3 {
          <e e'>8 b8\rest   <bes e g bes>8 }
     \times 2/3 {
          <a_\p f' a>8 b8\rest   <as d f as>8 }
    | % 7
    \once \omit TupletBracket
    \times 2/3  {
          <g e' g>8 -. [   <f b d f>8 -.   <e c'
            e>8 -. ] }
    \once \omit TupletBracket
    \times 2/3  {
          <d gis b d>8 -. [   <c a' c>8 -.   <bes e g
            bes>8 -. ] }
      <a f' a>4 -. \oneVoice r4 | % 8
    r4\voiceOne \once \omit TupletBracket
    \times 2/3  {
          <g' c e g>8 -. [   <g c e g>8 -.   <g
            c e g>8 -. ] }
      <g c e g>4 -. b4\rest | % 9
    b4\rest \once \omit TupletBracket
    \times 2/3  {
          <b d f g>8 -. [   <b d f g>8 -.   <b d
            f g>8 -. ] }
      <b d f g>4 -. b4\rest
      <e, g>4 ( _\p _\<   <dis fis>8. [   <e g>16 ]
      a4   as4 )| % 11
  s1*36 %%%%%%%%%%%%%% pour ne pas imprimer piano de 10 à45

    \times 4/6  {
        r8   <e g c>16 -. [   <e g c>16 -. _\<   <e g
            c>16 -.   <e g c>16 -. ] }
    \once \omit TupletBracket
    \times 4/6  {
          <e g c>16     <g c e>16    <g c e>16 -.
          <g c e>16 -.   <g c e>16 -.   <g c e>16 -. 
        }
    \once \omit TupletBracket
    \times 4/6  {
          <g c e>16  [   <c e g>16    <c e g>16 -.
          <c e g>16 -.   <c e g>16 -.   <c e g>16 -. ]
        }
    \once \omit TupletBracket
    \times 4/6  {
          <c e g>16  [   <e g c>16   <e g c>16 -.
          <e g c>16 -.   <e g c>16 -.   <e g c>16 -. ]
        }
    | % 48
      <c e g c>2 \arpeggio \arpeggio \arpeggio \arpeggio _\!
    _\ff r2 ^\fermata \bar "|."
    }

PartPFiveVoiceTwo =  \relative f' {
    \clef "treble" \key c \major \time 4/4 \partial 4 s4*21   s1*4
      s2   f2 
      
     s1*36 %%%%%%%%%%%%%%%%pour sauter de 12 à 47
     
      <c e>8 -. s8*15 \bar "|."
    }

PartPFiveVoiceFive =  \relative g, {
    \clef "bass" \key c \major \time 4/4 \partial 4   <g g'>8. [
    ^\pp   <g g'>16 ] ^\markup{ \italic {sotto voce} } 
    <g g'>4 ( <fis fis'>8. [ <g g'>16 ] <a a'>4 <b b'>8.[ <c c'>16 ) ] 
    c'4
    \once \omit TupletBracket
    \times 2/3  {c8 -. [   c8 -.   c8 -. ] }
      c,8 g8 \rest   <d' d'>8. ( -> [   <c c'>16 ) ]
      <b b'>8 r8   <a a'>8. ( -> [   <g g'>16 )
    ]   <f f'>8 r8   <e e'>8. ( -> [   <d d'>16 ) ]
 
   \repeat tremolo 8 { c'32  b32 }   c8 g8 \rest  
    <g g'>8. [   <g g'>16 ]   <g g'>4 (   <fis fis'>8.
    [ ^\<   <g g'>16 ]   <a a'>4   <b b'>8. [
      <c c'>16 ) ]     <e, e'>2 ~ ~  \! _\ff _\>
    \times 2/3 {
          <e e'>8   <b' b'>8 -. [   <cis cis'>8 -.
        ] }
      \once \omit TupletBracket
    \times 2/3  {
          <d_\p d'>8 -. [   <a a'>8 -.   <b b'>8 -.
        ] }
    \once \omit TupletBracket
    \times 2/3  {
          <c c'>8 -. [   <gis gis'>8 -.   <a a'>8
        -. ] }
    \once \omit TupletBracket
    \times 2/3  {
          <e e'>8 -. [   <f f'>8 -.   <cis cis'>8 -. ]
        }
      <d d'>4 -. r4   <g c e g>4 -. -> \once \omit
    TupletBracket
    \times 2/3  {
          <g' c e>8 -. [   <g c e>8 -.   <g c e>8
        -. ] }
      <g c e>4 -. r4   <g, b d g>4 \arpeggio -> -.
    \arpeggio \arpeggio \arpeggio \clef "treble" \once \omit
    TupletBracket
    \times 2/3  {
          <g' d' g>8 -. [   <g d' g>8 -.   <g d' g>8
        -. ] }
      <g d' g>4 -. \clef "bass" r4   <c, e g>4 (
    _\p _\<   <c dis fis>8. [   <c e g>16 ]   a'4
      as4 )
     s1*36 %%%%%%%%%%%%%% pour ne pas imprimer piano de 10 à45     
      
    \once \omit TupletBracket
    \times 2/3  {
          c8 [ \sustainOn   <e g c>8   <e g c>8 ] }
    \once \omit TupletBracket
    \times 2/3  {
          c8 [   <e g c>8   <e g c>8 ] }
    \once \omit TupletBracket
    \times 2/3  {
          g,8 [   <c e g>8   <c e g>8 ] }
    \once \omit TupletBracket
    \times 2/3  {
          e,8 [   <c' e g>8   <c e g>8 ] }
      <c, g' e'>2 \arpeggio \arpeggio \arpeggio _\! _\ff r2
    ^\fermata \sustainOff \bar "|."
    }

PartPFiveVoiceSix =  \relative c {
    \clef "bass" \key c \major \time 4/4 \partial 4 s4*5   c2
      c,8 s8*11   c2 ~   c8 s8*11   s4*13
    \clef "treble" s2 \clef "bass" s4  s2   <c' f>2
    s1*36 %%%%%%%%%%%%%% pour ne pas imprimer piano de 10 à45
   
      c,8 r8 _\<   c'8 r8   g8 r8
      e8\! r8 s1 \bar "|."
    }


% The score definition
\score {
    <<
        
        \new StaffGroup
        <<
          \new Staff <<
      \set Staff.instrumentName = "U"
      \set Staff.shortInstrumentName = "U"
      \context Staff <<
        \context Voice = "PartPTousVoiceOne" { \PartPTousVoiceOne }
        \new Lyrics \lyricsto "PartPTousVoiceOne" \PartPTousVoiceOneLyricsOne
      >>
          >>    
          \new Staff
            <<
                \set Staff.instrumentName = "S"
                \set Staff.shortInstrumentName = "S"
                
                \context Staff << 
                    \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
                    \context Voice = "PartPOneVoiceOne" {  \PartPOneVoiceOne }
                    \new Lyrics \lyricsto "PartPOneVoiceOne" { \set stanza = "1." \PartPOneVoiceOneLyricsOne }
                    >>
                >>
            \new Staff
            <<
                \set Staff.instrumentName = "A"
                \set Staff.shortInstrumentName = "A"
                
                \context Staff << 
                    \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
                    \context Voice = "PartPTwoVoiceOne" {  \PartPTwoVoiceOne }
                    \new Lyrics \lyricsto "PartPTwoVoiceOne" { \set stanza = "1." \PartPTwoVoiceOneLyricsOne }
                    >>
                >>
            \new Staff
            <<
                \set Staff.instrumentName = "T"
                \set Staff.shortInstrumentName = "T"
                
                \context Staff << 
                    \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
                    \context Voice = "PartPThreeVoiceOne" {  \PartPThreeVoiceOne }
                    \new Lyrics \lyricsto "PartPThreeVoiceOne" { \set stanza = "1." \PartPThreeVoiceOneLyricsOne }
                    >>
                >>
            \new Staff
            <<
                \set Staff.instrumentName = "B"
                \set Staff.shortInstrumentName = "B"
                
                \context Staff << 
                    \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
                    \context Voice = "PartPFourVoiceOne" {  \PartPFourVoiceOne }
                    \new Lyrics \lyricsto "PartPFourVoiceOne" { \set stanza = "1." \PartPFourVoiceOneLyricsOne }
                    >>
                >>
            
            >>
        \new PianoStaff
        <<
            \set PianoStaff.shortInstrumentName = "P"
            
            \context Staff = "1" << 
                \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
                \context Voice = "PartPFiveVoiceOne" {  \voiceOne \PartPFiveVoiceOne }
                \context Voice = "PartPFiveVoiceTwo" {  \voiceTwo \PartPFiveVoiceTwo }
                >> \context Staff = "2" <<
                \mergeDifferentlyDottedOn\mergeDifferentlyHeadedOn
                \context Voice = "PartPFiveVoiceFive" {  \voiceOne \PartPFiveVoiceFive }
                \context Voice = "PartPFiveVoiceSix" {  \voiceTwo \PartPFiveVoiceSix }
                
                {
  %% Serrer les notes au début :
  \override Score.SpacingSpanner.common-shortest-duration =
    #(ly:make-moment 1/4) % (ajuster la fraction si besoin)
  \partial 4 s4
  s1*10 % Au bout de 10 mesures, on revient normalement:
  \newSpacingSection
  \revert Score.SpacingSpanner.common-shortest-duration
}

                >>
            >>
        
        >>
    \layout {
  \context {\Staff 
           \RemoveAllEmptyStaves 
     %{       \RemoveEmptyStaves % éliminer les portées vides dès le début
    % To use the setting globally, uncomment the following line:
     \override VerticalAxisGroup #'remove-first = ##t
     %}
  }   
    }
    % To create MIDI output, uncomment the following line:
      \midi {\tempo 4 = 72 }
    }